The understatement of the narrative makes the climax all the more devastating.
A return to form for the Dublin novelist, who illuminates the troubled psyche of a writer who can’t quite bring himself to write.
After hitting his peak renown a couple of decades ago (Paddy Clarke Ha Ha Ha won the Booker Prize in 1993), Doyle has sometimes seemed to be drifting on autopilot. Not here, where the first-person narrative is fresh and bracing from Page 1. Victor has come to a pub looking for a place to become a regular after his recent split from his wife, a TV celebrity with a weekly show. In the pub, he encounters a man who says he remembers him from school and seems to know more about him than anyone besides Victor himself should. As Victor returns to his single-man’s flat, and to the writing that haunts him because he can never accomplish much, he muses on the life that has brought him here. He remembers the Christian Brothers, his teachers, one of whom molested him at least once. He remembers his days as a rock critic and then his move into political journalism, which resulted in his chance meeting with the beautiful, irresistible Rachel. She would become Ireland’s television sweetheart, beloved by all, but for some reason she loved only Victor. The reader can’t figure out why. Victor can’t figure out why. The friends he makes in the pub can’t figure out why. “What did she see in you?” one asks. Their split is also something of a mystery. Meanwhile, Victor keeps running into that same guy in the pub, the stranger who has now become his best friend. “He’d know—he knew—more than I’d want known,” Victor fears, more than he’d want to tell the others in the pub or even the reader. The writing that obsesses him is “about the rot that is at the heart of Ireland,” that is within Victor himself, a corrosion that began in his school days. It isn’t until the final pages that the reader understands just what Doyle has done, and it might take a rereading to appreciate just how well he has done it.
The understatement of the narrative makes the climax all the more devastating.Pub Date: Oct. 17, 2017
ISBN: 978-0-7352-2444-5
Page Count: 224
Publisher: Viking
Review Posted Online: Aug. 7, 2017
Kirkus Reviews Issue: Aug. 15, 2017
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s...
The acclaimed author of The Underground Railroad (2016) follows up with a leaner, meaner saga of Deep South captivity set in the mid-20th century and fraught with horrors more chilling for being based on true-life atrocities.
Elwood Curtis is a law-abiding, teenage paragon of rectitude, an avid reader of encyclopedias and after-school worker diligently overcoming hardships that come from being abandoned by his parents and growing up black and poor in segregated Tallahassee, Florida. It’s the early 1960s, and Elwood can feel changes coming every time he listens to an LP of his hero Martin Luther King Jr. sermonizing about breaking down racial barriers. But while hitchhiking to his first day of classes at a nearby black college, Elwood accepts a ride in what turns out to be a stolen car and is sentenced to the Nickel Academy, a juvenile reformatory that looks somewhat like the campus he’d almost attended but turns out to be a monstrously racist institution whose students, white and black alike, are brutally beaten, sexually abused, and used by the school’s two-faced officials to steal food and supplies. At first, Elwood thinks he can work his way past the arbitrary punishments and sadistic treatment (“I am stuck here, but I’ll make the best of it…and I’ll make it brief”). He befriends another black inmate, a street-wise kid he knows only as Turner, who has a different take on withstanding Nickel: “The key to in here is the same as surviving out there—you got to see how people act, and then you got to figure out how to get around them like an obstacle course.” And if you defy them, Turner warns, you’ll get taken “out back” and are never seen or heard from again. Both Elwood’s idealism and Turner’s cynicism entwine into an alliance that compels drastic action—and a shared destiny. There's something a tad more melodramatic in this book's conception (and resolution) than one expects from Whitehead, giving it a drugstore-paperback glossiness that enhances its blunt-edged impact.
Inspired by disclosures of a real-life Florida reform school’s long-standing corruption and abusive practices, Whitehead’s novel displays its author’s facility with violent imagery and his skill at weaving narrative strands into an ingenious if disquieting whole.Pub Date: July 16, 2019
ISBN: 978-0-385-53707-0
Page Count: 224
Publisher: Doubleday
Review Posted Online: Jan. 20, 2019
Kirkus Reviews Issue: Feb. 1, 2019
PERSPECTIVES
SEEN & HEARD
SEEN & HEARD
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