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THE VAN

A beaten-up van dispensing fish and chips, not some clearing in the deep woods, is the setting for Doyle's warm, humorous, and cleareyed look at male friendship—in this his third book featuring the irrepressible Rabbitte family of Dublin (The Commitments, 1989; The Snapper, see above). When Jimmy Rabbitte, Sr., loses his job, he tries to make the best of it, but what he misses most are his evenings in the local pub with his friends ("it wasn't the pints Jimmy, Sr., loved...it was the lads here, the laughing. This was what he loved"). He joins the library, develops a taste for Dickens, and takes care of granddaughter Gina; but when his best friend Bimbo is "made redundant," he's delighted because now, "only with the two of them, they could do plenty of things." And when Bimbo decides to buy a rusting old chipper van, Jimmy accepts his offer to join him in the venture. After much effort, the van is cleaned up, recipes are tested, and the two men are set to sell fish, chips, and burgers to football crowds and pub-goers. Despite any certification from the Health Department, they are a great success, but then the football season ends, business falters, and Jimmy, Sr., misses the fun of the old days—"He'd been starting to think that Bimbo had lost his sense of humor from hanging over the deep-fat fryer too long." Meanwhile, Bimbo, egged on by entrepreneurial wife Maggie, becomes bossy and assertive. An encounter with officialdom provokes a crisis in their already fraying friendship, and Bimbo drives the van into the sea; but Jimmy, not so sure the friendship can be restored, returns wet and exhausted to wife Veronica: "Give us a hug, Veronica, will yeh...I need a hug." Aa usual, Doyle has got it all just right—this is what friendships and families are really like: stubborn, contrary, loving, and, aware of life's absurdities, always ready to be cheered by a good laugh. Vintage Doyle.

Pub Date: Aug. 1, 1992

ISBN: 0140260021

Page Count: 320

Publisher: Viking

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 1992

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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