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AWAKENING OF THE TWELVE—PART 1

THE TORCH SERIES: TRILOGY OF THE TITAN TWELVE

Though it abandons its initial intensity, this story showcases a welcome union of singular characters.

An enigmatic and diabolical ancient cult pursues a group of exceptional, multiethnic teens around the globe in this second installment of a fantasy series.

Twelve teenagers, each born in 2070, form the U.S. Titan Twelve. The talented teens competed as a team in the International Titan Games and won numerous gold medals. Now they’re celebrating with a planned vacation of visiting their ancestral homelands, countries ranging from Ghana to Italy. Sadly, there’s trouble before they even leave Thessaloniki, Greece, where the games were held. Lalitha Alexandra Gupta awakens early in the morning to the realization that Helena Maria Martin didn’t return from her late-night walk with Kofi N’Kosi Mark Annan. Equally shocking are Helena’s pleas for help, which Lalitha hears in her head, as do the other four Titan girls: Abena Ashanti Marie Richardson, Immanuela Rachel Abravanel, Fredrika Kathleen Johansson, and Wei Susan Wang. The boys (Humberto Matthew Santiago Fernandez Ramirez, Petrov Robert Vasiliev, Olis Joseph Kaiser, Zeno Thomas Theophilus, and Omari Samuel Hassan) inform the girls that N’Kosi is also missing. Using the girls’ newfound telepathy, signified by white color patterns in front of their eyes, they track down their friends. The group confronts menacing hooded individuals and discovers additional powers, like generating a telekinetic energy field. Helena and N’Kosi are fine, and Ashanti surmises that the abductions were some type of warning, verified later when they receive a cryptic note. They begin their world-trekking vacation, but it’s soon clear the kidnappers, who decree themselves the Dark Acolytes, are stalking them. As the cult’s objective is unknown, the Titans decide to get answers by using their special abilities combatively rather than as mere defense. Porter’s (Rise of the Twelve, 2016) series is essentially an origin story for superpowered teens. It’s engrossing to watch them slowly acquire abilities, which include levitation and a distinctive color pattern for each (telekinesis is blood red). Likewise, the Titans are still learning, as powers seem to emerge under stress and aren’t readily accessible. Nevertheless, the novel’s genuine focus is its potpourri of characters, featuring diverse lineages. This makes for a culturally rich narrative, as the Titans travel to different countries and experience the nations’ food, histories, and landmarks. Furthermore, it’s an opportunity to display the story’s late-21st-century technology, like spaceports, with shuttles flying in the high end of the stratosphere. Porter molds the Titans individually, not just their backgrounds, but their personalities as well. Witty Ashanti, for example, upon arrival in Rome, claims that the Italian-speaking captain (an android-esque Humanoid Intelligence unit) asks if she is a movie star. The unfortunate downside to the extensive global tour is that it sidelines the book’s thriller aspects. The opening kidnapping is rife with anticipation, as the Titans race to save Helena and N’Kosi. But the Dark Acolytes subsequently make only sporadic appearances for much of the novel and rarely engage the Titans, so the suspense gradually wanes. There’s plenty left for the second part of Book 2, however, as the vacation is nowhere near completion and the cult’s eventually revealed sinister purposes will be an unmistakable threat.

Though it abandons its initial intensity, this story showcases a welcome union of singular characters.

Pub Date: Aug. 30, 2018

ISBN: 978-0-9911467-5-8

Page Count: 505

Publisher: CreateSpace

Review Posted Online: June 8, 2018

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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JURASSIC PARK

Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.

Pub Date: Nov. 7, 1990

ISBN: 0394588169

Page Count: 424

Publisher: Knopf

Review Posted Online: Sept. 21, 2011

Kirkus Reviews Issue: Oct. 15, 1990

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