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THE THIEF AND THE DEMON

An adventure of eye-opening cleverness.

Awards & Accolades

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This epic-fantasy debut sees a thief unwittingly unleash a demon that feeds on wizards.

There are thousands of kingdoms in the World Belt. Fistmar, a lieutenant in the Thieves Guild, hails from the opulent city of Aranvail. After copying the secret logbook of his boss, Gloster, Fistmar heads to Schtalegaard. There, he robs the foolish Prince Caolan, who’s passed out after a night of drink and gambling. Fistmar later finds himself imprisoned for the prince’s murder, although he claims he’s not a killer; still, Mikhael Schtalfir, Duke Schtalegaard’s castellan, plans to torture the thief to death. Luckily, Fistmar possesses a false, magical tooth—a gift from the wizard Maevendin—that helps him pick the lock and escape his dungeon cell. Yet as he’s running through the labyrinthine prison beneath the Duke’s castle, the tooth seems to guide him. He finds a chamber of blue stone, and within it is a door that the wizard Faeramivor, who worked alongside Mikhael, warns him not to open. But open it he does, releasing a demon that explosively drains Faeramivor’s essence. Fistmar uses the ensuing chaos to head for Aranvail, seeking to clear his name of the Prince’s murder. However, a trio of warrior spirits tell him, “You freed the demon, and in doing so, you were bound to it.” In this striking debut, author Macdonald breaks from the epic-fantasy herd with electric prose and a true sense of the cinematic. Major characters receive memorable introductions, including Miranna, the famous, beautiful gambler whom Fistmar loves; and Norvik, who reluctantly helps him escape Aranvail’s treachery. The demon is fabulously described: “Teeth swam beneath its skin, to sometimes tear through in rictus grins, or to fly forward on tentacle limbs.” Macdonald also has great fun with magic, employing portals controlled by warlocks called the Scarlet Brotherhood, and Soulstones that can transfer spirits to fresh bodies. The worldbuilding and plot never compete with each other, resulting in an excellent series foundation.

An adventure of eye-opening cleverness.

Pub Date: Oct. 3, 2017

ISBN: 978-0-9979231-1-7

Page Count: 462

Publisher: Time Tunnel Media

Review Posted Online: Aug. 17, 2018

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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