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THE THIEF AND THE DEMON

An adventure of eye-opening cleverness.

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This epic-fantasy debut sees a thief unwittingly unleash a demon that feeds on wizards.

There are thousands of kingdoms in the World Belt. Fistmar, a lieutenant in the Thieves Guild, hails from the opulent city of Aranvail. After copying the secret logbook of his boss, Gloster, Fistmar heads to Schtalegaard. There, he robs the foolish Prince Caolan, who’s passed out after a night of drink and gambling. Fistmar later finds himself imprisoned for the prince’s murder, although he claims he’s not a killer; still, Mikhael Schtalfir, Duke Schtalegaard’s castellan, plans to torture the thief to death. Luckily, Fistmar possesses a false, magical tooth—a gift from the wizard Maevendin—that helps him pick the lock and escape his dungeon cell. Yet as he’s running through the labyrinthine prison beneath the Duke’s castle, the tooth seems to guide him. He finds a chamber of blue stone, and within it is a door that the wizard Faeramivor, who worked alongside Mikhael, warns him not to open. But open it he does, releasing a demon that explosively drains Faeramivor’s essence. Fistmar uses the ensuing chaos to head for Aranvail, seeking to clear his name of the Prince’s murder. However, a trio of warrior spirits tell him, “You freed the demon, and in doing so, you were bound to it.” In this striking debut, author Macdonald breaks from the epic-fantasy herd with electric prose and a true sense of the cinematic. Major characters receive memorable introductions, including Miranna, the famous, beautiful gambler whom Fistmar loves; and Norvik, who reluctantly helps him escape Aranvail’s treachery. The demon is fabulously described: “Teeth swam beneath its skin, to sometimes tear through in rictus grins, or to fly forward on tentacle limbs.” Macdonald also has great fun with magic, employing portals controlled by warlocks called the Scarlet Brotherhood, and Soulstones that can transfer spirits to fresh bodies. The worldbuilding and plot never compete with each other, resulting in an excellent series foundation.

An adventure of eye-opening cleverness.

Pub Date: Oct. 3, 2017

ISBN: 978-0-9979231-1-7

Page Count: 462

Publisher: Time Tunnel Media

Review Posted Online: Aug. 17, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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