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CHINABERRY SIDEWALKS

A MEMOIR

An unbalanced, frequently depressive autobiography that primarily focuses on the past, leaving little room for the author’s...

A Grammy-winning singer/songwriter reveals the early genesis of his family, predating a marriage to Rosanne Cash (whose 2010 memoir, Composed, is a can't-miss) and the ascent to musical stardom.

Crowell’s introduction to the world of country music began early in small-town Texas, when banjo chords and Hank Williams records sweetened a childhood embittered by familial discord. Raised in a house without a bedroom of his own, the author was relegated to sleeping in the family home’s creepy front room, where he became an unwilling witness to his parents’ shouting matches and the violence borne from his father’s drinking binges. Frequently frustrated with the inescapable drama, Crowell recalls disrupting his parents’ raucous New Year’s Eve party in 1955; at age five, he frightened guests away by brandishing the rifle hidden in the hall closet. Years later, the family moved to a ramshackle, “post–World War II housing project” in central Texas that was soon decimated by Hurricane Carla. Crowell lovingly and often drolly describes a gassy grandmother, a banjo-playing grandfather, feuding uncles and Cauzette, his strident, God-fearing mother crippled with double dyslexia, epilepsy and a string of heartbreaking miscarriages. In this same tone, the author also discusses life with his boozy father and the distress of a tough childhood. His mother’s hysterically seething religious convictions and frequent nonchalant requests to fetch feminine-hygiene products tempered their embarrassing public “prizefights.” Yet these rough spots are interspersed with summery recollections of a boyhood spent chumming around and banding together with neighborhood mischief makers, and of his father’s drumming lessons, prepping him to play in his band at age 11, then on to higher heights as a budding musician. While Crowell’s narrative becomes a viscerally powerful diary of a boyhood hobbled by a dysfunctional family, his burgeoning love of music and the fruits of that talent get left behind. Could a follow-up be in the works?

An unbalanced, frequently depressive autobiography that primarily focuses on the past, leaving little room for the author’s resoundingly successful present.

Pub Date: Jan. 18, 2011

ISBN: 978-0-307-59420-4

Page Count: 256

Publisher: Knopf

Review Posted Online: Sept. 22, 2010

Kirkus Reviews Issue: Oct. 15, 2010

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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