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EARLY BIRD

A MEMOIR

Witty and conversational prose, peppered alternately with sarcasm and compassion: easy, enjoyable reading.

A former comedy writer for David Letterman does some up-close research on a common South Florida species—the senior citizen retiree—with “findings” more suited to stand-up routine than anthropological tome. The result: lighthearted fluff with a flair, and not without its educational value.

Out of work and pondering his not-so-immediate future, Rothman, 28, decides to get an early glimpse of retirement and soon finds himself sharing a Century Village condo with a widowed piano teacher, her several cats and one early rising parrot. Undaunted, the author dives into such delicacies as the ubiquitous nine-dollar “Early Bird” dinner special; a gambling cruise with an all-female social club; a late-night patrol with the volunteer senior citizen police, and “hard-core” bingo at a nearby strip-mall. He samples senior citizen softball, shuffleboard and canasta. He penetrates the cliquish Pool Club’s daily poolside chats. He serves bagels at the local Jewish bakery, visits a Yoko Ono art exhibit with the very unappreciative Art Appreciation Club and, at one point, even tries Viagra. Rothman comes to no profound conclusions here. The mostly Jewish fugitives from the chilly Northeast he encounters conform in general to our imagined stereotypes. Still, seeing them up close—waxing their cars at 6:30 a.m., pilfering Equal packets from the local coffee shop, exchanging surprisingly racy jokes over breakfast bagels—makes for fun reading. And the author’s fieldwork doesn’t go entirely unrewarded, yielding such oddities as Amy Ballenger, a 93-year-old stand-up comic; Artie, a 63-year-old ex-heroin addict-turned real-estate-agent; and Vivian, a sultry 75-year-old Romanian with five ex-husbands and enough sex appeal to stir even the author’s libido. Rothman also provides just enough serious data on aging (for example, the positive effects of staying active and socializing) to make this breezy, humorous tour both entertaining and rewarding.

Witty and conversational prose, peppered alternately with sarcasm and compassion: easy, enjoyable reading.

Pub Date: May 3, 2005

ISBN: 0-7432-4217-3

Page Count: 224

Publisher: Simon & Schuster

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2005

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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