by Roger D. Hodge ‧ RELEASE DATE: Oct. 10, 2017
Of a piece with revisionist Westerns à la Larry McMurtry and Richard White and of much interest to readers along the border.
A native son takes a loping tour of the Lone Star State and the paths to, through, and from it.
Intercept national editor Hodge (The Mendacity of Hope: Barack Obama and the Betrayal of American Liberalism, 2010), a former editor of the Oxford American and Harper’s, grew up down on the Rio Grande and learned how to handle a rope and a six-shooter, the whole package. He got out at 18, and, he writes, “I’m still gone.” That kind of talk can get a person branded as a carpetbagger, but the author has long lines of history and blood tying him to the state over a couple of centuries, exploring which is the point of this somewhat shapeless but always interesting ramble across the state and points beyond, from the pioneer trails of Missouri to the gone-west paths across New Mexico and Arizona to California. Some of Hodge’s explorations are bookish: he’s a huge fan of Cormac McCarthy, wandering around the vicinity of Del Rio contemplating No Country for Old Men and other “messages from lost worlds, artifacts of vanished histories.” Elsewhere, Hodge calls on the Border Patrol, ponders the lost ways of the Comanche Trail and the ever speculative argonauts, and visits the grave of Sam Houston’s Cherokee wife and a much-contested shrine constantly beset by what one defender calls “the Satanics from Juárez.” Hodge’s suggestion that the “official” history of Texas, whatever that might be, excludes many of its players, from Native Americans to French buccaneers and German freethinkers, isn’t quite accurate; no modern writer on Texas dares overlook them, and even the old-timers along the lines of J. Frank Dobie and John Graves recognized how diverse Texas was and is. Still, Hodge does a nice job of relating some of those lesser-known stories.
Of a piece with revisionist Westerns à la Larry McMurtry and Richard White and of much interest to readers along the border.Pub Date: Oct. 10, 2017
ISBN: 978-0-307-96140-2
Page Count: 368
Publisher: Knopf
Review Posted Online: Aug. 6, 2017
Kirkus Reviews Issue: Aug. 15, 2017
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BOOK REVIEW
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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