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Purging Purgatory

A GHOST STORY

Taut tale of people battling ghosts — those from a haunted past as well as the phantom kind.

Mendoza, Roger

PURGING PURGATORY: A GHOST STORY In Mendoza’s (The E.B. Roberts Chronicles, 2016, etc.) thriller, a Texas family capable of interacting with lost souls is tormented by something much darker. Eight-year-old Tommy Danvers’ good friend, Thomas, is a ghost, but the boy’s ability to see spirits isn’t unique to his lineage. Grandmother Dorothy was once a medium to the rich and famous before giving it up, after the tragedy of losing her husband, who died trying to kill someone else, and her son to suicide. She still helps souls in Purgatory when they ask but doesn’t want the family trait for daughter Catherine (Tommy’s mom), whom Dorothy had institutionalized and whose ghost-seeing is stifled by anti-hallucinogenic drugs. Dorothy’s likewise afraid that Tommy is too young to distinguish a Purgatory soul from a demon. When the boy’s estranged and terminal billionaire father, Gregory Prescott, wants to see his son, Catherine and Tommy drive to Austin but find evil awaiting them. The two manage to escape, only to end up in an accident, putting Catherine in a facility for mandatory therapy, on account of the apparently addictive drug she’s taking and the drinks she’d had before driving with Tommy. The evil, however, may have followed her home, where the Danverses will have to face a darkness bent on their collective demise. Mendoza’s muted ghost story has a few spooky turns but primarily centers on the family’s tortured history. Catherine, for starters, has a good reason to despise the priest that Dorothy trusts, and the deaths of the Danvers father and son are an essential element to the plot, especially as details gradually come to light. The supernatural parts are certainly absorbing, like teasing Tommy’s power, which becomes abundantly clear during the inevitable and riveting confrontation. An impressive pace keeps the book moving, even during Catherine’s therapy sessions, thanks to short paragraphs (a few sentences or less) and brief chapters. Sparse particulars regarding Tommy often work — he recognizes evil simply as shadows or black smoke. But Tommy’s suggestion that he knows when most people will die is a rather daunting concept unfortunately left unexplored.

Taut tale of people battling ghosts — those from a haunted past as well as the phantom kind.

Pub Date: N/A

ISBN: 978-1-938962-19-6

Page Count: -

Publisher: N/A

Review Posted Online: Oct. 31, 2016

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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