TOUCHING THE FIRE

BUFFALO DANCERS, THE SKY BUNDLE, AND OTHER TALES

Folklorist, widely published and broadcast essayist Welsch— who was adopted into the Omaha Tribe in 1967—reveals much love and knowledge of Plains Indian people and their spiritual life, but skilled fiction writing still eludes him in his 16th book and second collection (It's Not the End of the Earth, But You Can See It from Here, 1990). The first of the seven linked stories takes place in the year 2001, when members of the invented Nehawka tribe outwit a racist museum director and retrieve their sacred Sky Bundle. The stories move backwards in time until the historic origin of the bundle, the symbolic objects it contains, and the sometimes otherworldly events they commemorate are all revealed. By the end, the logic-oriented reader is led to appreciate that cultural fragments strewn through the text may seem irrational taken out of context but, in fact, are meaningful and make sense. The opening pieces, concerned with contemporary political issues, are more problematic: characters rarely transcend stereotype, and affirmative endings seem forced— as when a violent racist ex-drug-dealer turned bounty-hunter tracks down two young Indians who've jumped bail after an arrest for distributing sacramental peyote; exposure to their innate nobility and religious conviction transforms him; he helps them beat the rap, marries the young woman, and throws in his lot with the Nehawka. Welsch opens with a passionately partisan and moving essay about the religious persecution of Native American peoples; the stories themselves, while well-intentioned and offering interesting detail, remain heavy-handed and unconvincing.

Pub Date: Sept. 1, 1992

ISBN: 0-679-40887-8

Page Count: 224

Publisher: Villard

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 1, 1992

Did you like this book?

No Comments Yet

There are unforgettable beauties in this very sexy story.

TELL ME LIES

Passion, friendship, heartbreak, and forgiveness ring true in Lovering's debut, the tale of a young woman's obsession with a man who's "good at being charming."

Long Island native Lucy Albright, starts her freshman year at Baird College in Southern California, intending to study English and journalism and become a travel writer. Stephen DeMarco, an upperclassman, is a political science major who plans to become a lawyer. Soon after they meet, Lucy tells Stephen an intensely personal story about the Unforgivable Thing, a betrayal that turned Lucy against her mother. Stephen pretends to listen to Lucy's painful disclosure, but all his thoughts are about her exposed black bra strap and her nipples pressing against her thin cotton T-shirt. It doesn't take Lucy long to realize Stephen's a "manipulative jerk" and she is "beyond pathetic" in her desire for him, but their lives are now intertwined. Their story takes seven years to unfold, but it's a fast-paced ride through hookups, breakups, and infidelities fueled by alcohol and cocaine and with oodles of sizzling sexual tension. "Lucy was an itch, a song stuck in your head or a movie you need to rewatch or a food you suddenly crave," Stephen says in one of his point-of-view chapters, which alternate with Lucy's. The ending is perfect, as Lucy figures out the dark secret Stephen has kept hidden and learns the difference between lustful addiction and mature love.

There are unforgettable beauties in this very sexy story.

Pub Date: June 12, 2018

ISBN: 978-1-5011-6964-9

Page Count: 352

Publisher: Atria

Review Posted Online: March 20, 2018

Kirkus Reviews Issue: April 1, 2018

Did you like this book?

No Comments Yet

The phrase “tour de force” could have been invented for this audacious novel.

Reader Votes

  • Readers Vote
  • 13

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2015

  • Kirkus Prize
  • Kirkus Prize
    winner

  • National Book Award Finalist

A LITTLE LIFE

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 22, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Did you like this book?

more