A suspenseful bridge to the final volume of a historical fiction series.
This second installment of a trilogy focuses on a musician in pre-World War II Germany.
Alejandra Stanford Morrison is a strong-willed woman with ambitions to become a symphony conductor, though it defies the gender expectations of the 1930s. When she learns of her acceptance into a prestigious conservatory in Berlin, her ecstasy is met with reluctance from her husband, Richard, who fears the extended separation between Alejandra and her family (which includes three children). But he eventually voices his support, leaving her in Germany with their Jewish friends Hannah and Ben Adelman. Part One chronicles their travels and musical training amid increasing political tensions in Germany and Austria. Meanwhile, Alejandra faces another kind of turmoil: finding a balance between her professional activities and her domestic life. But most of the drama centers on Alejandra thwarting the romantic advances of a new German friend named Anton Everhardt while trying to halt her own interest in him. After returning to her Minnesota home for a few peaceful years, she travels back to Europe upon learning of the disappearance of Ben and Hannah, and their son, Joseph. After enlisting the help of Anton to locate them, she soon finds her own life in peril as well as Anton’s and Richard’s. In the book’s first half, readers must wade through extensive musical and artistic commentary to follow a plot that overall lacks intensity. Fortunately, the momentum eventually accelerates with the emergence of more serious conflicts, finally leaving readers with a cliffhanger that should entice them to pick up the next volume. Calatayud-Stocks (A Song in My Heart, 2011) portrays her characters clearly, each with a unique voice and agenda, but they require more complexity to avoid becoming predictable and stagnant. In addition, the dialogue is sometimes stilted and too revealing (“I accept your generous gift, and I’m shocked, ecstatic, and bewildered”) and needs to be better supplemented with the characters’ actions and nonverbal cues. But even with these flaws, this novel raises stimulating questions regarding work/life balance and the entwinement of art and politics. And for culture enthusiasts, the author once again offers musical selections corresponding to each chapter.
A suspenseful bridge to the final volume of a historical fiction series.Pub Date: Aug. 5, 2018
ISBN: 978-0-9987319-3-3
Page Count: 428
Publisher: Calumet Editions
Review Posted Online: Aug. 7, 2018
Review Program: Kirkus Indie
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.
Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.
In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.
Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.Pub Date: May 6, 2014
ISBN: 978-1-4767-4658-6
Page Count: 448
Publisher: Scribner
Review Posted Online: March 5, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
BOOK TO SCREEN
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