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EACH ONE TEACH ONE

UP AND OUT OF POVERTY: MEMOIRS OF A STREET ACTIVIST

A memoir recounting the struggles of a black Puerto Rican activist who helps others trapped, as he once was, in cycles of poverty, addiction, and homelessness. Casanova, vice president of the National Union of the Homeless and editor of the Union of the Homeless National News, shares two stories: his personal account of growing up in orphanages, on city streets, in detention centers and prisons; and the contemporary struggles of the homeless, especially on the Lower East Side of Manhattan. What emerges is a perturbing portrait of a callous, inefficient bureaucracy. The memoir's strength is its detailed indictment of various so-called ``helping'' institutions. Particularly disturbing is Casanova's depiction of Matteawan State Hospital, where he spent part of his adolescence, and where he witnessed mentally ill patients being routinely beaten, drugged, and placed in straitjackets by sadistic correction officers. Casanova was 16 when he saw officers ``take a patient, wrap towels around his neck . . . and drag him down the long ward until he was dead.'' He asserts that incompetent doctors were also responsible for many deaths, which were routinely dismissed as heart failures. Casanova's negative experiences taught him that ``all institutions tend to want you to remain dependent on them.'' He lashes out at the welfare system, aspects of Christianity and its various institutions, as well as left-liberal politicians. There is nothing one can depend on, Casanova concludes, other than oneself. Diagnosed as HIV-positive at age 51, Casanova sees his task—and that of all true activists and social workers—as not just feeding people, but providing them with the tools to feed themselves. Many institutions, and American society in general, are indicted in this angry memoir for failing to do that. Though the prose is often lackluster, this is a valuable firsthand account of a street survivor's harrowing experiences. (Author tour)

Pub Date: Sept. 1, 1996

ISBN: 1-880684-37-3

Page Count: 260

Publisher: Curbstone Press

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 15, 1996

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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