SPLIT IMAGE

As if in a dream, a washed-up Chicago playwright sleepwalks into murder, then into taking over the life of the man he killed. Nobody knows that Andrew Neville is staying in a friend's hunting cabin in Wisconsin when he gets into a trivial fight with a stranger that leaves the stranger dead. Afterward, Neville wipes out every sign of his presence from the cabin and heads back home without leaving any paper trail. Despite his lack of premeditation, he's committed the perfect crime, one that's left no trace at the crime scene or within Neville himself, who keeps waiting to feel remorse or horror but feels only a vague stirring of satisfaction and renewed purpose. When Neville realizes he'd known John Dempsey from a theater group years ago, he decides to attend his funeral, purloins Dempsey's display handkerchief from his decorously arrayed body, and introduces himself to Dempsey's lovely wife Claudia, an actress who's feeling more frozen out than ever by her in-laws. It's a romance made in hell, but Neville is perfectly willing to pursue it in his mild, circumspect way, even though Roland Scheiss, the horrid lawyer hired by the elder Dempseys to investigate their son's murder, makes it clear that he assumes Neville conspired with Claudia to kill her husband and intends to gather enough evidence to blackmail them for a sizable chunk of Dempsey's estate. It's obvious that Neville's state of trancelike equilibrium—as he ingratiates himself with a falcon Dempsey had been training and plots his theatrical comeback via a play of Dempsey's—can't last. But Dempsey's luminously understated narrative preserves a crystalline surface undisturbed by any ripple right up to the inevitable catastrophe, which is perhaps a bit too ironic for the generally hushed buildup. No matter. The spare, surrealistic mastery of just the right detail makes this Faust's most rewarding thriller since his return to fiction with In the Forest of the Night (1992).

Pub Date: June 13, 1997

ISBN: 0-312-86011-0

Page Count: 224

Publisher: Forge

Review Posted Online: April 26, 2011

Kirkus Reviews Issue: April 1, 1997

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A strict report, worthy of sympathy.

THE CATCHER IN THE RYE

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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Cheerfully engaging.

WHAT ALICE FORGOT

From Australian Moriarty (The Last Anniversary, 2006, etc.), domestic escapism about a woman whose temporary amnesia makes her re-examine what really matters to her.

Alice wakes from what she thinks is a dream, assuming she is a recently married 29-year-old expecting her first child. Actually she is 39, the mother of three and in the middle of an acrimonious custody battle with her soon-to-be ex-husband Nick. She’s fallen off her exercise bike, and the resulting bump on her head has not only erased her memory of the last 10 years but has also taken her psychologically back to a younger, more easygoing self at odds with the woman she gathers she has become. While Alice-at-29 is loving and playful if lacking ambition or self-confidence, Alice-at-39 is a highly efficient if too tightly wound supermom. She is also thin and rich since Nick now heads the company where she remembers him struggling in an entry-level position. Alice-at-29 cannot conceive that she and Nick would no longer be rapturously in love or that she and her adored older sister Elisabeth could be estranged, and she is shocked that her shy mother has married Nick’s bumptious father and taken up salsa dancing. She neither remembers nor recognizes her three children, each given a distinct if slightly too cute personality. Nor does she know what to make of the perfectly nice boyfriend Alice-at-39 has acquired. As memory gradually returns, Alice-at-29 initially misinterprets the scattered images and flashes of emotion, especially those concerning Gina, a woman who evidently caused the rift with Nick. Alice-at-29 assumes Gina was Nick’s mistress, only to discover that Gina was her best friend. Gina died in a freak car accident and in her honor, Alice-at-39 has organized mothers from the kids’ school to bake the largest lemon meringue pie on record. But Alice-at-29 senses that Gina may not have been a completely positive influence. Moriarty handles the two Alice consciousnesses with finesse and also delves into infertility issues through Elizabeth’s diary.

Cheerfully engaging.

Pub Date: June 2, 2011

ISBN: 978-0-399-15718-9

Page Count: 432

Publisher: Amy Einhorn/Putnam

Review Posted Online: April 4, 2011

Kirkus Reviews Issue: March 15, 2011

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