Big-city life has nothing on small-town shenanigans in this often enjoyable read with a serious message.
Fritsch’s (Promised Valley Peace, 2013, etc.) historical legal drama reveals the seamy underbelly of a small Illinois farming community.
Jonah Neumeyer, a young gay lawyer living in Chicago in 1977, was 6 years old in 1955 when he witnessed a traumatic house fire in Revere, Illinois, that apparently killed two elderly men. He’s remembered a comment from one of the onlookers ever since, as the charred bodies were brought out by the firemen: “Those two old queers got what they deserved.” Now Jonah has returned to his hometown to find out if that fire was set intentionally. The first step is to speak with the recently widowed Elizabeth Daleiden, who lived in the neighboring house—and who inherited the men’s farm after their deaths. Jonah believes that Elizabeth is hiding something, but he doesn’t anticipate that their conversation will get back to Elizabeth’s mother-in-law, Olivia Daleiden, a nasty, vengeful woman who accuses her of murdering not only the two men, but also Elizabeth’s father in 1950. Somewhat improbably, the Concord County state’s attorney, Tanner Howland, smells the potential for a big-trial victory that will propel his political ambitions; he successfully obtains indictments, and the stage is set for Elizabeth’s takedown. As the unorthodox trial proceeds—with witnesses allowed to expound endlessly without objection—it reveals a veritable Peyton Place of back stories, in which everyone in Revere seems to have connections with everyone else. Fritsch saddles himself with an ambitious task by jumping into the well-trod territory of courtroom dramas. However, the trial is only a vehicle for his examination of small-town prejudices, especially regarding gays and lesbians. He kindly provides a list of characters upfront so readers can keep track of them all, and some of the walk-on players are engaging. That said, most of the real character development is limited to Jonah and Elizabeth; the rest of the players are mostly just divided into good guys or bad. Still, the action moves quickly, and there are enough surprises to keep readers hooked to the end.
Big-city life has nothing on small-town shenanigans in this often enjoyable read with a serious message.Pub Date: July 30, 2016
ISBN: 978-0-9978829-1-9
Page Count: 216
Publisher: CreateSpace
Review Posted Online: Aug. 17, 2016
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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