A wise, bittersweet conclusion to a sprawling tale of prehistoric war and peace.
In this fourth and final novel in Fritsch’s (Promised Valley Conspiracy, 2012, etc.) series, a sweeping new kind of warfare threatens an ancient valley and its peoples.
The valley’s rich farmland has for generations been a zone of contention between the farmers of the valley and the hunters of the less-inviting surrounding hills. Each side draws on a long tradition of beliefs assuring them that the gods intended the valley for their people and no others. Through three novels full of tension, betrayal and catastrophic warfare, the farmers and hunters have tried exchanging high-ranking hostages with each other in hopes of ensuring good behavior on both sides. One such move sends handsome, heroic Blue Sky to live among the hill people and eventually fall in love with one of them, a man named Wandering Star. The novel convincingly depicts a society in which homosexual relationships are conducted openly with no lessening of public esteem, and Fritsch handles the theme with a no-fuss skill reminiscent of Mary Renault’s. Another narrative thread follows the sarcastic agnosticism of the younger Promised Valley generation, which may be a satisfying innovation for 21st-century readers. Blue Sky, Wandering Star, and their various allies and enemies also contend with the introduction of horses as beasts of war in the valley’s latest conflagration. Fritsch tells a very detailed, very human story, although the opening 10 pages, a stultifying, bullet-point plot summary of the previous books in the series, may alienate new readers. Some of the book’s younger characters admirably seek to forge a real, lasting peace in their lifetimes, and the interminable threat of war allows Fritsch to make the conflict an allegory for every human conflict to come. There’s a sad moment of irony when a character late in the book hopes that their peoples will “never go to war again.”
A wise, bittersweet conclusion to a sprawling tale of prehistoric war and peace.Pub Date: Nov. 3, 2013
ISBN: 978-1493672332
Page Count: 274
Publisher: CreateSpace
Review Posted Online: Jan. 3, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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