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PROMISED VALLEY WAR

A captivating novel that will transport readers back to prehistory times—while reminding them of their own.

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War erupts in a peaceful prehistoric valley.

  Tensions were already brewing in Fritsch's Promised Valley Rebellion (2010), in which a group of young people living in the relatively benign and loosely organized prehistoric community of Promised Valley rebelled against their king and his council in reaction to a seemingly arbitrary, tyrannical ruling the king had made. That rebellion revolved around the hidden past of Rose Leaf, the beautiful young daughter of war-hero farmer Green Field, and it led to war with the hill people whose marauding ways are a constant threat to the inhabitants of Promised Valley. In Fritsch's latest novel (which is given depth by a reading of the first book but can be enjoyed as a stand-alone book), despite the best efforts of that same group of young people, war between the valley people and the hill people has erupted again. The author’s well-rendered descriptions of the creeping onslaught of war and winter give the reader a visceral feel for the endangered paradise that can occur despite the best intentions of the best people, and readers will be surprised by the twists he gives his tale. Alongside the careful plotting and natural-sounding dialogue, there's a refreshing amount of deeper resonances in the Promised Valley series, a steady undercurrent of commentary of the present day. The treatment of the young hero Blue Sky's attraction to other men, for instance, is straightforward but nonconfrontational, and characters at several points grapple with their society's primitive theology. “Could gods who were good-hearted … allow humans to go to war with one another?” the narrative at one point asks. “[I]f they, like humans, had no choice in the matter, why did humans call them gods?” The novel will leave readers eager to find out what happens next in Promised Valley. Luckily, Fritsch has plans to add two more volumes to the series.  

A captivating novel that will transport readers back to prehistory times—while reminding them of their own.

Pub Date: Dec. 1, 2011

ISBN: 978-0615567297

Page Count: 242

Publisher: Asymmetric Worlds

Review Posted Online: Jan. 24, 2012

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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LAST ORDERS

Britisher Swift's sixth novel (Ever After, 1992 etc.) and fourth to appear here is a slow-to-start but then captivating tale of English working-class families in the four decades following WW II. When Jack Dodds dies suddenly of cancer after years of running a butcher shop in London, he leaves a strange request—namely, that his ashes be scattered off Margate pier into the sea. And who could better be suited to fulfill this wish than his three oldest drinking buddies—insurance man Ray, vegetable seller Lenny, and undertaker Vic, all of whom, like Jack himself, fought also as soldiers or sailors in the long-ago world war. Swift's narrative start, with its potential for the melodramatic, is developed instead with an economy, heart, and eye that release (through the characters' own voices, one after another) the story's humanity and depth instead of its schmaltz. The jokes may be weak and self- conscious when the three old friends meet at their local pub in the company of the urn holding Jack's ashes; but once the group gets on the road, in an expensive car driven by Jack's adoptive son, Vince, the story starts gradually to move forward, cohere, and deepen. The reader learns in time why it is that no wife comes along, why three marriages out of three broke apart, and why Vince always hated his stepfather Jack and still does—or so he thinks. There will be stories of innocent youth, suffering wives, early loves, lost daughters, secret affairs, and old antagonisms—including a fistfight over the dead on an English hilltop, and a strewing of Jack's ashes into roiling seawaves that will draw up feelings perhaps unexpectedly strong. Without affectation, Swift listens closely to the lives that are his subject and creates a songbook of voices part lyric, part epic, part working-class social realism—with, in all, the ring to it of the honest, human, and true.

Pub Date: April 5, 1996

ISBN: 0-679-41224-7

Page Count: 304

Publisher: Knopf

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Feb. 15, 1996

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