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PROMISED VALLEY WAR

A captivating novel that will transport readers back to prehistory times—while reminding them of their own.

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War erupts in a peaceful prehistoric valley.

  Tensions were already brewing in Fritsch's Promised Valley Rebellion (2010), in which a group of young people living in the relatively benign and loosely organized prehistoric community of Promised Valley rebelled against their king and his council in reaction to a seemingly arbitrary, tyrannical ruling the king had made. That rebellion revolved around the hidden past of Rose Leaf, the beautiful young daughter of war-hero farmer Green Field, and it led to war with the hill people whose marauding ways are a constant threat to the inhabitants of Promised Valley. In Fritsch's latest novel (which is given depth by a reading of the first book but can be enjoyed as a stand-alone book), despite the best efforts of that same group of young people, war between the valley people and the hill people has erupted again. The author’s well-rendered descriptions of the creeping onslaught of war and winter give the reader a visceral feel for the endangered paradise that can occur despite the best intentions of the best people, and readers will be surprised by the twists he gives his tale. Alongside the careful plotting and natural-sounding dialogue, there's a refreshing amount of deeper resonances in the Promised Valley series, a steady undercurrent of commentary of the present day. The treatment of the young hero Blue Sky's attraction to other men, for instance, is straightforward but nonconfrontational, and characters at several points grapple with their society's primitive theology. “Could gods who were good-hearted … allow humans to go to war with one another?” the narrative at one point asks. “[I]f they, like humans, had no choice in the matter, why did humans call them gods?” The novel will leave readers eager to find out what happens next in Promised Valley. Luckily, Fritsch has plans to add two more volumes to the series.  

A captivating novel that will transport readers back to prehistory times—while reminding them of their own.

Pub Date: Dec. 1, 2011

ISBN: 978-0615567297

Page Count: 242

Publisher: Asymmetric Worlds

Review Posted Online: Jan. 24, 2012

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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