An elegy to love and loss and reconciliation.

FLAT WATER TUESDAY

Irwin debuts with movingly rendered literary fiction about love and loss, youth and maturity, ambition and its cost.

Rob Carrey is a champion. He’s won prizes propelling a single-seat racing scull with two oars. Carrey’s been recruited for a "post-graduate" high school year by the Fenton School, a posh private Connecticut academy. Carrey, a working-class boy, is alien among legacy children and intends to continue his quest for solitary medals. Instead, he’s drafted to fill a slot in the four-man racing crew. His father’s ambition is that the Fenton sojourn will earn his son entrance to an elite university. There is a second narrative thread with Carrey, in his 30s, no college degree, turned documentary filmmaker. He’s in love with Carolyn, a film editor. Carolyn was once pregnant with Carrey’s child, a baby miscarried while he filmed in Africa. Left shattered by Carrey's response, Carolyn wants to end their relationship just as Carrey confronts the suicide of one of his former racing crew. The narrative segment following young Carrey’s Fenton year is a powerful study of the muddled, stumbling steps from youth into adulthood, a time when Carrey learns "You will lose things....When you do, there will be no river to run to." Other characters shine: Connor, best of the Fenton rowers, scion of wealth, never able to fulfill his family’s ambitions, beautiful and damned in the fashion of a Hemingway hero; Ruth, coxswain, first female to drive the boat, petite, ambitious, focused, yet another boarding-school–rich-family throwaway. Irwin’s descriptions are observant and intimate—"as if the boat had found some kind of grace, like a giant bird expanding its wings." Readers become immersed in the Darwinian cruelty of the young reflected against the loneliness of a lost, jaded teacher, then confront a man finding purpose, and close the book after bathing in a deeply evocative, hope-filled conclusion.

An elegy to love and loss and reconciliation.

Pub Date: June 4, 2013

ISBN: 978-1-250-03003-0

Page Count: 320

Publisher: Dunne/St. Martin's

Review Posted Online: March 16, 2013

Kirkus Reviews Issue: April 1, 2013

Did you like this book?

No Comments Yet

A clever and current book about a complicated woman and her romantic relationships.

CONVERSATIONS WITH FRIENDS

The story of the entangled affairs of a group of exceedingly smart and self-possessed creative types.

Frances, an aloof and intelligent 21-year-old living in Dublin, is an aspiring poet and communist. She performs her spoken-word pieces with her best friend and ex-lover, Bobbi, who is equally intellectual but gregarious where Frances is shy and composed where Frances is awkward. When Melissa, a notable writer and photographer, approaches the pair to offer to do a profile of them, they accept excitedly. While Bobbi is taken with Melissa, Frances becomes infatuated by her life—her success, her beautiful home, her actor husband, Nick. Nick is handsome and mysterious and, it turns out, returns Frances’ attraction. Although he can sometimes be withholding of his affection (he struggles with depression), they begin a passionate affair. Frances and Nick’s relationship makes difficult the already tense (for its intensity) relationship between Frances and Bobbi. In the midst of this complicated dynamic, Frances is also managing endometriosis and neglectful parents—an abusive, alcoholic father and complicit mother. As a narrator, Frances describes all these complex fragments in an ethereal and thoughtful but self-loathing way. Rooney captures the mood and voice of contemporary women and their interpersonal connections and concerns without being remotely predictable. In her debut novel, she deftly illustrates psychology’s first lesson: that everyone is doomed to repeat their patterns.

A clever and current book about a complicated woman and her romantic relationships.

Pub Date: July 11, 2017

ISBN: 978-0-451-49905-9

Page Count: 304

Publisher: Hogarth

Review Posted Online: April 18, 2017

Kirkus Reviews Issue: May 1, 2017

Did you like this book?

No Comments Yet

Absolutely enthralling. Read it.

Reader Votes

  • Readers Vote
  • 13

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2019

  • New York Times Bestseller

  • IndieBound Bestseller

NORMAL PEOPLE

A young Irish couple gets together, splits up, gets together, splits up—sorry, can't tell you how it ends!

Irish writer Rooney has made a trans-Atlantic splash since publishing her first novel, Conversations With Friends, in 2017. Her second has already won the Costa Novel Award, among other honors, since it was published in Ireland and Britain last year. In outline it's a simple story, but Rooney tells it with bravura intelligence, wit, and delicacy. Connell Waldron and Marianne Sheridan are classmates in the small Irish town of Carricklea, where his mother works for her family as a cleaner. It's 2011, after the financial crisis, which hovers around the edges of the book like a ghost. Connell is popular in school, good at soccer, and nice; Marianne is strange and friendless. They're the smartest kids in their class, and they forge an intimacy when Connell picks his mother up from Marianne's house. Soon they're having sex, but Connell doesn't want anyone to know and Marianne doesn't mind; either she really doesn't care, or it's all she thinks she deserves. Or both. Though one time when she's forced into a social situation with some of their classmates, she briefly fantasizes about what would happen if she revealed their connection: "How much terrifying and bewildering status would accrue to her in this one moment, how destabilising it would be, how destructive." When they both move to Dublin for Trinity College, their positions are swapped: Marianne now seems electric and in-demand while Connell feels adrift in this unfamiliar environment. Rooney's genius lies in her ability to track her characters' subtle shifts in power, both within themselves and in relation to each other, and the ways they do and don't know each other; they both feel most like themselves when they're together, but they still have disastrous failures of communication. "Sorry about last night," Marianne says to Connell in February 2012. Then Rooney elaborates: "She tries to pronounce this in a way that communicates several things: apology, painful embarrassment, some additional pained embarrassment that serves to ironise and dilute the painful kind, a sense that she knows she will be forgiven or is already, a desire not to 'make a big deal.' " Then: "Forget about it, he says." Rooney precisely articulates everything that's going on below the surface; there's humor and insight here as well as the pleasure of getting to know two prickly, complicated people as they try to figure out who they are and who they want to become.

Absolutely enthralling. Read it.

Pub Date: April 16, 2019

ISBN: 978-1-984-82217-8

Page Count: 288

Publisher: Hogarth

Review Posted Online: Feb. 18, 2019

Kirkus Reviews Issue: March 1, 2019

Did you like this book?

more