An elegy to love and loss and reconciliation.

FLAT WATER TUESDAY

Irwin debuts with movingly rendered literary fiction about love and loss, youth and maturity, ambition and its cost.

Rob Carrey is a champion. He’s won prizes propelling a single-seat racing scull with two oars. Carrey’s been recruited for a "post-graduate" high school year by the Fenton School, a posh private Connecticut academy. Carrey, a working-class boy, is alien among legacy children and intends to continue his quest for solitary medals. Instead, he’s drafted to fill a slot in the four-man racing crew. His father’s ambition is that the Fenton sojourn will earn his son entrance to an elite university. There is a second narrative thread with Carrey, in his 30s, no college degree, turned documentary filmmaker. He’s in love with Carolyn, a film editor. Carolyn was once pregnant with Carrey’s child, a baby miscarried while he filmed in Africa. Left shattered by Carrey's response, Carolyn wants to end their relationship just as Carrey confronts the suicide of one of his former racing crew. The narrative segment following young Carrey’s Fenton year is a powerful study of the muddled, stumbling steps from youth into adulthood, a time when Carrey learns "You will lose things....When you do, there will be no river to run to." Other characters shine: Connor, best of the Fenton rowers, scion of wealth, never able to fulfill his family’s ambitions, beautiful and damned in the fashion of a Hemingway hero; Ruth, coxswain, first female to drive the boat, petite, ambitious, focused, yet another boarding-school–rich-family throwaway. Irwin’s descriptions are observant and intimate—"as if the boat had found some kind of grace, like a giant bird expanding its wings." Readers become immersed in the Darwinian cruelty of the young reflected against the loneliness of a lost, jaded teacher, then confront a man finding purpose, and close the book after bathing in a deeply evocative, hope-filled conclusion.

An elegy to love and loss and reconciliation.

Pub Date: June 4, 2013

ISBN: 978-1-250-03003-0

Page Count: 320

Publisher: Dunne/St. Martin's

Review Posted Online: March 16, 2013

Kirkus Reviews Issue: April 1, 2013

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

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ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

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