An actor adept at entertaining and holding an audience shows himself a novelist gifted with the same skills. The book is not...

ART IN AMERICA

The actor-playwright turned novelist offers a hefty slice of Americana-inflected entertainment in his latest novel (Traveler, 2007, etc.).

After offering a laboriously comic itinerary of its NYC author-protagonist Steven Kearney’s numerous unpublishable novels and plays, McLarty settles into a rich characterization of a hopeful loser bereft of both literary success and his angry girlfriend. Steven is thrown a lifeline when the town of Creedemore, Colo., offers him a lucrative residency in return for writing a historical play about the area’s storied origins. So it’s off to Creedemore, where Steven is greeted by an officious spinster and introduced to Creedemore’s eccentric populace. Brisk short chapters move things along smartly, and action abounds, as a range war of sorts erupts between near-centenarian feed-store mogul and landowner Ticky Lettgo (we’re not making this up) and “Mountain Man” Red Fields, an environmentalist Age-of-Aquarian planning to offer adventurous river rafting trips through waters Ticky claims are also his exclusive property. Add in juxtaposed peeks back east, where Steven’s buddies Roarke (a lesbian actress-director) and Tubby (a Falstaffian construction worker) keep tabs on his western adventures, and you have a cheerfully overstuffed tale whose ungainly bulk is redeemed by energetic prose and busy comic detail. There are also loud protests, some politically inspired, others motivated by sheer cussedness; lively courtroom battles; a bomb threat or two; and an overload of macho posturing (some of it performed by female characters). Vivid characters pop up frequently, including a transplanted Eastern sheriff (a man of reason serving where unreason rules), a foulmouthed reverend and a man known as “Cowboy Poet,” a tireless fount of hilarious doggerel. And there’s a corker of a climax, during which we’re treated to the memorable opening scenes of Steven’s commissioned sagebrush masterpiece.

An actor adept at entertaining and holding an audience shows himself a novelist gifted with the same skills. The book is not a masterpiece, but it’s an immensely engaging and winning performance.

Pub Date: July 7, 2008

ISBN: 978-0-670-01895-6

Page Count: 384

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: May 15, 2008

Did you like this book?

No Comments Yet

Miller makes Homer pertinent to women facing 21st-century monsters.

Our Verdict

  • Our Verdict
  • GET IT

  • Kirkus Reviews'
    Best Books Of 2018

  • New York Times Bestseller

CIRCE

A retelling of ancient Greek lore gives exhilarating voice to a witch.

“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.

Miller makes Homer pertinent to women facing 21st-century monsters.

Pub Date: April 10, 2018

ISBN: 978-0-316-55634-7

Page Count: 400

Publisher: Little, Brown

Review Posted Online: Jan. 23, 2018

Kirkus Reviews Issue: Feb. 1, 2018

Did you like this book?

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Reader Votes

  • Readers Vote
  • 10

Our Verdict

  • Our Verdict
  • GET IT

Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating
  • Kirkus Reviews'
    Best Books Of 2014

  • New York Times Bestseller

  • National Book Award Finalist

  • Pulitzer Prize Winner

ALL THE LIGHT WE CANNOT SEE

Doerr presents us with two intricate stories, both of which take place during World War II; late in the novel, inevitably, they intersect.

In August 1944, Marie-Laure LeBlanc is a blind 16-year-old living in the walled port city of Saint-Malo in Brittany and hoping to escape the effects of Allied bombing. D-Day took place two months earlier, and Cherbourg, Caen and Rennes have already been liberated. She’s taken refuge in this city with her great-uncle Etienne, at first a fairly frightening figure to her. Marie-Laure’s father was a locksmith and craftsman who made scale models of cities that Marie-Laure studied so she could travel around on her own. He also crafted clever and intricate boxes, within which treasures could be hidden. Parallel to the story of Marie-Laure we meet Werner and Jutta Pfennig, a brother and sister, both orphans who have been raised in the Children’s House outside Essen, in Germany. Through flashbacks we learn that Werner had been a curious and bright child who developed an obsession with radio transmitters and receivers, both in their infancies during this period. Eventually, Werner goes to a select technical school and then, at 18, into the Wehrmacht, where his technical aptitudes are recognized and he’s put on a team trying to track down illegal radio transmissions. Etienne and Marie-Laure are responsible for some of these transmissions, but Werner is intrigued since what she’s broadcasting is innocent—she shares her passion for Jules Verne by reading aloud 20,000 Leagues Under the Sea. A further subplot involves Marie-Laure’s father’s having hidden a valuable diamond, one being tracked down by Reinhold von Rumpel, a relentless German sergeant-major.

Doerr captures the sights and sounds of wartime and focuses, refreshingly, on the innate goodness of his major characters.

Pub Date: May 6, 2014

ISBN: 978-1-4767-4658-6

Page Count: 448

Publisher: Scribner

Review Posted Online: March 6, 2014

Kirkus Reviews Issue: March 15, 2014

Did you like this book?

more