A literary beach read that will keep you thinking after the vacation’s over.
A chain of islands in the middle of the Pacific provides the backdrop for Tanner’s (From Animal House to Our House: A Love Story, 2012, etc.) comic exploration of expatriate life and its consequences.
In the 1950s, the U.S. used the Marshall Islands as a test site for nuclear bombs. Fifty years later, the Americans in Tanner’s breezy tale are more self-destructive than anything, though their imprint on the island nation is hardly a net positive. For better or worse, they stick mostly to American-dominated Kwajalein, which “looks like a 1950s cinderblock beach town gone to seed” and houses the U.S. personnel who study missile defense at the nearby Ronald Reagan Test Site. Among the employees there is Cooper, who sails all the way from California for his new job but manages to lose a leg in the process. Alison, the art teacher at the Kwajalein high school, isn’t much better off: she’s coping with her husband’s recent drowning, mostly by drinking her way through lunch. Then there’s Art, a bedraggled former Peace Corps volunteer who married a native and now serves as “Cultural Liaison” to the expat community, explaining Marshallese customs while lobbing rhetorical grenades at American culture from afar. Meanwhile, the only Marshallese protagonist, Jeton, pines for his American girlfriend, Nora, who's preparing to return to the U.S. for college. Marshallese are banned from Kwajalein after nightfall, and Jeton’s attempt to see Nora before she goes proves a crucial turning point in the plot. The themes here are major—global warming, imperialism, America’s role in the world (the story is set soon after the Abu Ghraib prison scandal). But Tanner displays a light touch, favoring snappy dialogue over didacticism. The result is winning, though for some the novel may feel just a touch too lighthearted: at various points characters confront everything from alcoholism to catastrophic weather to sharks, but one gets the sense early on that, for the four major players, all will (mostly) work out in the end.
A literary beach read that will keep you thinking after the vacation’s over.Pub Date: March 15, 2016
ISBN: 978-1-63246-009-7
Page Count: 372
Publisher: Ig Publishing
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
Genetically engineered dinosaurs run amok in Crichton's new, vastly entertaining science thriller. From the introduction alone—a classically Crichton-clear discussion of the implications of biotechnological research—it's evident that the Harvard M.D. has bounced back from the science-fantasy silliness of Sphere (1987) for another taut reworking of the Frankenstein theme, as in The Andromeda Strain and The Terminal Man. Here, Dr. Frankenstein is aging billionaire John Hammond, whose monster is a manmade ecosystem based on a Costa Rican island. Designed as the world's ultimate theme park, the ecosystem boasts climate and flora of the Jurassic Age and—most spectacularly—15 varieties of dinosaurs, created by elaborate genetic engineering that Crichton explains in fascinating detail, rich with dino-lore and complete with graphics. Into the park, for a safety check before its opening, comes the novel's band of characters—who, though well drawn, double as symbolic types in this unsubtle morality play. Among them are hero Alan Grant, noble paleontologist; Hammond, venal and obsessed; amoral dino-designer Henry Wu; Hammond's two innocent grandchildren; and mathematician Ian Malcolm, who in long diatribes serves as Crichton's mouthpiece to lament the folly of science. Upon arrival, the visitors tour the park; meanwhile, an industrial spy steals some dino embryos by shutting down the island's power—and its security grid, allowing the beasts to run loose. The bulk of the remaining narrative consists of dinos—ferocious T. Rex's, voracious velociraptors, venom-spitting dilophosaurs—stalking, ripping, and eating the cast in fast, furious, and suspenseful set-pieces as the ecosystem spins apart. And can Grant prevent the dinos from escaping to the mainland to create unchecked havoc? Though intrusive, the moralizing rarely slows this tornado-paced tale, a slick package of info-thrills that's Crichton's most clever since Congo (1980)—and easily the most exciting dinosaur novel ever written. A sure-fire best-seller.
Pub Date: Nov. 7, 1990
ISBN: 0394588169
Page Count: 424
Publisher: Knopf
Review Posted Online: Sept. 21, 2011
Kirkus Reviews Issue: Oct. 15, 1990
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