A literary beach read that will keep you thinking after the vacation’s over.
A chain of islands in the middle of the Pacific provides the backdrop for Tanner’s (From Animal House to Our House: A Love Story, 2012, etc.) comic exploration of expatriate life and its consequences.
In the 1950s, the U.S. used the Marshall Islands as a test site for nuclear bombs. Fifty years later, the Americans in Tanner’s breezy tale are more self-destructive than anything, though their imprint on the island nation is hardly a net positive. For better or worse, they stick mostly to American-dominated Kwajalein, which “looks like a 1950s cinderblock beach town gone to seed” and houses the U.S. personnel who study missile defense at the nearby Ronald Reagan Test Site. Among the employees there is Cooper, who sails all the way from California for his new job but manages to lose a leg in the process. Alison, the art teacher at the Kwajalein high school, isn’t much better off: she’s coping with her husband’s recent drowning, mostly by drinking her way through lunch. Then there’s Art, a bedraggled former Peace Corps volunteer who married a native and now serves as “Cultural Liaison” to the expat community, explaining Marshallese customs while lobbing rhetorical grenades at American culture from afar. Meanwhile, the only Marshallese protagonist, Jeton, pines for his American girlfriend, Nora, who's preparing to return to the U.S. for college. Marshallese are banned from Kwajalein after nightfall, and Jeton’s attempt to see Nora before she goes proves a crucial turning point in the plot. The themes here are major—global warming, imperialism, America’s role in the world (the story is set soon after the Abu Ghraib prison scandal). But Tanner displays a light touch, favoring snappy dialogue over didacticism. The result is winning, though for some the novel may feel just a touch too lighthearted: at various points characters confront everything from alcoholism to catastrophic weather to sharks, but one gets the sense early on that, for the four major players, all will (mostly) work out in the end.
A literary beach read that will keep you thinking after the vacation’s over.Pub Date: March 15, 2016
ISBN: 978-1-63246-009-7
Page Count: 372
Publisher: Ig Publishing
Review Posted Online: Jan. 20, 2016
Kirkus Reviews Issue: Feb. 1, 2016
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
SEEN & HEARD
SEEN & HEARD
BOOK TO SCREEN
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
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PROFILES
PERSPECTIVES
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