by Ron Weisner with Alan Goldsher ‧ RELEASE DATE: June 3, 2014
A matter-of-fact epilogue with advice for up-and-coming stars is sensible, but the book’s gossipy, annoyed attitude...
A memoir of the music business from a manager who worked his way up from the mailroom to managing world-class acts.
With the help of collaborator Goldsher (My Favorite Fangs: The Story of the Von Trapp Family Vampires, 2012, etc.), Weisner dishes the dirt on 50 years in the music business. It’s a strange collection of anecdotes, ranging from the poignant (an 8-year-old piano prodigy serenading Beyonce Knowles at a benefit) to the outright bizarre (a profanity-laden threat to Rolling Stone publisher Jann Wenner over the publication of an unflattering photograph). Other superstars praise the producer—the book includes short memories penned by the likes of Gladys Knight, Steve Winwood and Quincy Jones—but there’s also plenty of vitriol. While venting about most members of the Jackson family, especially patriarch Joe, Weisner reserves fondness for the late Michael, whom he stewarded through the height of his career and about whom he shares previously unknown stories (who knew the inspiration for Michael’s uniforms came from punk-pop star Adam Ant?). Upon seeing the fading star just days before his death, the author writes, “He had that look in his eyes, a look I’ve seen too many other times in my life, a look of resignation, a look that said, It’s over, and it broke my heart, because up until things headed south in the early 2000s, he had it all.” Others earn less charitable plaudits—Lauryn Hill is labeled a “whack-job” for her behavior during the 2005 BET Awards. Weisner is particularly harsh about Madonna’s behavior during a Venice video shoot: “Every time we packed up the cameras, she bitched. Every time we got into a boat, she bitched. Every time she had to wait for setup, she bitched.”
A matter-of-fact epilogue with advice for up-and-coming stars is sensible, but the book’s gossipy, annoyed attitude threatens to disenfranchise all but the most cynical fans.Pub Date: June 3, 2014
ISBN: 978-0-7627-9144-6
Page Count: 256
Publisher: Lyons Press
Review Posted Online: April 13, 2014
Kirkus Reviews Issue: May 1, 2014
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by Ta-Nehisi Coates ‧ RELEASE DATE: July 8, 2015
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”
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The powerful story of a father’s past and a son’s future.
Atlantic senior writer Coates (The Beautiful Struggle: A Father, Two Sons, and an Unlikely Road to Manhood, 2008) offers this eloquent memoir as a letter to his teenage son, bearing witness to his own experiences and conveying passionate hopes for his son’s life. “I am wounded,” he writes. “I am marked by old codes, which shielded me in one world and then chained me in the next.” Coates grew up in the tough neighborhood of West Baltimore, beaten into obedience by his father. “I was a capable boy, intelligent and well-liked,” he remembers, “but powerfully afraid.” His life changed dramatically at Howard University, where his father taught and from which several siblings graduated. Howard, he writes, “had always been one of the most critical gathering posts for black people.” He calls it The Mecca, and its faculty and his fellow students expanded his horizons, helping him to understand “that the black world was its own thing, more than a photo-negative of the people who believe they are white.” Coates refers repeatedly to whites’ insistence on their exclusive racial identity; he realizes now “that nothing so essentialist as race” divides people, but rather “the actual injury done by people intent on naming us, intent on believing that what they have named matters more than anything we could ever actually do.” After he married, the author’s world widened again in New York, and later in Paris, where he finally felt extricated from white America’s exploitative, consumerist dreams. He came to understand that “race” does not fully explain “the breach between the world and me,” yet race exerts a crucial force, and young blacks like his son are vulnerable and endangered by “majoritarian bandits.” Coates desperately wants his son to be able to live “apart from fear—even apart from me.”
This moving, potent testament might have been titled “Black Lives Matter.” Or: “An American Tragedy.”Pub Date: July 8, 2015
ISBN: 978-0-8129-9354-7
Page Count: 176
Publisher: Spiegel & Grau
Review Posted Online: May 5, 2015
Kirkus Reviews Issue: July 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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