A balanced history—sometimes admiring, sometimes blistering—of the writers who fractured the glass capsule of literary...
The co-authors of The Trials of Lenny Bruce (2002) return with a sharp-edged history of the Beats.
Collins and Skover, both law professors (Univ. of Washington and Seattle Univ., respectively), focus on the notables of the movement. William S. Burroughs, Jack Kerouac, Allen Ginsberg and Lawrence Ferlinghetti enjoy the most space, but we also learn about the friends, lovers and criminals swept along in the artists’ wakes—though it’s sometimes questionable whose wake is transporting whom. Early on, Collins and Skover emphasize the lawless culture that attracted the artists: the drugs, drinking, violence, thefts and infidelities that found the Beats in and out of trouble (and jail and mental institutions). The authors begin with a fatal stabbing, introduce us to Herbert Huncke (junkie, hustler, thief) and describe a serious car accident that propelled Ginsberg into an asylum. Then another death—that of groupie Bill Cannastra in a reckless subway stunt—and another: junked-up Burroughs, in a William Tell moment, shooting his lover in the head. Throughout, Neal Cassady jumped from woman to woman. “It was a world,” write the authors, “where, by and large, men were verbs and women objects.” The last half of the volume deals with Kerouac’s long struggle to publish On the Road, Ginsberg’s publication of and ensuing obscenity trail for Howl and Other Poems and Burroughs’ legal problems with Naked Lunch, all of which occurred somewhat simultaneously. Collins and Skover handle the various trials and legal issues with aplomb, and by the end, they soften their criticisms of the Beat lifestyle—though they do suggest, more than once, that Ginsberg, traveling in Europe during the Howl trial, left some San Francisco friends in a precarious position.
A balanced history—sometimes admiring, sometimes blistering—of the writers who fractured the glass capsule of literary conformity.Pub Date: March 1, 2013
ISBN: 978-1-938938-02-3
Page Count: 464
Publisher: Top Five Books
Review Posted Online: Nov. 25, 2012
Kirkus Reviews Issue: Dec. 15, 2012
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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