by Ronald L. Ruiz ‧ RELEASE DATE: June 17, 2017
A highly recommended novel that appeals to both the heart and the head.
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To be fleeing cops and bad guys is scary enough, but imagine, as novelist Ruiz (Giuseppe Rocco, 2017, etc.) does, that you’re also schizophrenic—and on the run, as it were, from yourself.
The author tells his tale through the eyes and mind of Ray Lopez (aka Jimmy Ramirez), a poor kid from California’s Central Valley. Ray is a good kid who gets drawn into the schemes of his shady cousin, ex-con Billy Cisneros, which involve shepherding bags of cash. On top of that, Ray has recently had his first psychotic episode. The drug Zyprexa keeps him stabilized and keeps the voices at bay, but paranoid Ray feels that he has to get out of town, as he’s convinced that Billy’s associates or the cops are hot on his trail. He flees with a duffel bag of clothes and a gym bag full of C-notes. He makes it to Los Angeles and is advised by a fellow bus passenger that Mexico might mean safety—but he must go to Nuevo Laredo, not Tijuana or Juarez. So he boards a Greyhound bus (which he calls “ridin’ the Dog”); it’s a miserable trek, as Ruiz makes clear, for people who cannot afford to travel any other way. All the while, Ray is terrified of being found out and has precious few Zyprexa pills left. In Laredo, he warily makes friends with a street-wise kid named Joey Reyes, who offers to get him into Mexico to get his prescription filled. Ruiz is a strikingly good writer, and his chapter detailing Ray’s “break”—and the terrifying, evil voices in his head—is a sojourn in hell; readers will understand why Ray is in a panic to get his prescription refilled and why the voices terrify him. Obstacles multiply endlessly, and the descriptions of Ray’s long days and nights on the bus, and of the dreary and dehumanizing bus terminals, will likely make many readers deeply grateful for their better circumstances. Ruiz proves to be a very sharp social critic, and no detail gets past him in this richly imagined book.
A highly recommended novel that appeals to both the heart and the head.Pub Date: June 17, 2017
ISBN: 978-1-937484-53-8
Page Count: 276
Publisher: Amika Press
Review Posted Online: Aug. 2, 2017
Kirkus Reviews Issue: Oct. 1, 2017
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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