A thoughtful book that offers abundant material to rile up—and edify—Blue Lives Matter and Defund the Police advocates alike.
A provocative account of a tour of duty with the Washington, D.C., police force.
“These fucking people.” So says a weary cop, pointing out to Brooks a particularly crime-prone denizen of the streets. Though she was in her 40s, “with two children, a spouse, a dog, a mortgage, and a fulltime job as a tenured law professor” (and the daughter of a disapproving Barbara Ehrenreich), the author decided to become a police officer, following the participant observation model to “understand cultures that might otherwise appear alien and incomprehensible.” The D.C. metro force has an unusual program that allows volunteers to serve, carry a weapon, and make arrests. To satisfy her interest in violence and its constraints, she enrolled in and passed the training course. “By any measure, policing in the United States is a breathtakingly violent enterprise,” she writes, particularly in a city like D.C., where so much of the business of crime and punishment is racially charged. The political left, she notes, holds that Black men are so often killed by police or hauled off to jail because the police are racist while the right contends that young Black men are inclined to crime. Brooks ably shows how the truth is much more complex, and the anecdotes she offers along her beat demonstrate the complicated relationships among authority, violence, gender, race, and other elements. Some of the officers she portrays are noble civil servants, others dead weight, others just this side of psychotic—very much like the people they both serve and combat. The author’s look at the Dickensian “secret city” is both revealing and appalling, and she delivers sometimes-surprising news along the way about racism, the harms of mandatory arrest, and the “overcriminalization” of everyday life in a thoroughly dysfunctional society.
A thoughtful book that offers abundant material to rile up—and edify—Blue Lives Matter and Defund the Police advocates alike.Pub Date: Feb. 9, 2021
ISBN: 978-0-525-55785-2
Page Count: 384
Publisher: Penguin Press
Review Posted Online: Dec. 7, 2020
Kirkus Reviews Issue: Jan. 1, 2021
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.
A noted actor turns to verse: “Poems are a Saturday in the middle of the week.”
McConaughey, author of the gracefully written memoir Greenlights, has been writing poems since his teens, closing with one “written in an Australian bathtub” that reads just as a poem by an 18-year-old (Rimbaud excepted) should read: “Ignorant minds of the fortunate man / Blind of the fate shaping every land.” McConaughey is fearless in his commitment to the rhyme, no matter how slight the result (“Oops, took a quick peek at the sky before I got my glasses, / now I can’t see shit, sure hope this passes”). And, sad to say, the slight is what is most on display throughout, punctuated by some odd koanlike aperçus: “Eating all we can / at the all-we-can-eat buffet, / gives us a 3.8 education / and a 4.2 GPA.” “Never give up your right to do the next right thing. This is how we find our way home.” “Memory never forgets. Even though we do.” The prayer portion of the program is deeply felt, but it’s just as sentimental; only when he writes of life-changing events—a court appearance to file a restraining order against a stalker, his decision to quit smoking weed—do we catch a glimpse of the effortlessly fluent, effortlessly charming McConaughey as exemplified by the David Wooderson (“alright, alright, alright”) of Dazed and Confused. The rest is mostly a soufflé in verse. McConaughey’s heart is very clearly in the right place, but on the whole the book suggests an old saw: Don’t give up your day job.
It’s not Shakespeare, not by a long shot. But at least it’s not James Franco.Pub Date: Sept. 16, 2025
ISBN: 9781984862105
Page Count: 208
Publisher: Crown
Review Posted Online: Aug. 15, 2025
Kirkus Reviews Issue: Sept. 15, 2025
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.
A former New York City dancer reflects on her zesty heyday in the 1970s.
Discovered on a Manhattan street in 2020 and introduced on Stanton’s Humans of New York Instagram page, Johnson, then 76, shares her dynamic history as a “fiercely independent” Black burlesque dancer who used the stage name Tanqueray and became a celebrated fixture in midtown adult theaters. “I was the only black girl making white girl money,” she boasts, telling a vibrant story about sex and struggle in a bygone era. Frank and unapologetic, Johnson vividly captures aspects of her former life as a stage seductress shimmying to blues tracks during 18-minute sets or sewing lingerie for plus-sized dancers. Though her work was far from the Broadway shows she dreamed about, it eventually became all about the nightly hustle to simply survive. Her anecdotes are humorous, heartfelt, and supremely captivating, recounted with the passion of a true survivor and the acerbic wit of a weathered, street-wise New Yorker. She shares stories of growing up in an abusive household in Albany in the 1940s, a teenage pregnancy, and prison time for robbery as nonchalantly as she recalls selling rhinestone G-strings to prostitutes to make them sparkle in the headlights of passing cars. Complemented by an array of revealing personal photographs, the narrative alternates between heartfelt nostalgia about the seedier side of Manhattan’s go-go scene and funny quips about her unconventional stage performances. Encounters with a variety of hardworking dancers, drag queens, and pimps, plus an account of the complexities of a first love with a drug-addled hustler, fill out the memoir with personality and candor. With a narrative assist from Stanton, the result is a consistently titillating and often moving story of human struggle as well as an insider glimpse into the days when Times Square was considered the Big Apple’s gloriously unpolished underbelly. The book also includes Yee’s lush watercolor illustrations.
A blissfully vicarious, heartfelt glimpse into the life of a Manhattan burlesque dancer.Pub Date: July 12, 2022
ISBN: 978-1-250-27827-2
Page Count: 192
Publisher: St. Martin's
Review Posted Online: July 27, 2022
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
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