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Musings of Yukiyu'

A slow-paced novel with a beautifully portrayed tropical setting.

In Rosa’s (Fractured, 2013, etc.) historical novel, tragedy forces a Puerto Rican teenager to become his family’s sole provider as America’s influence begins to slowly change his native land.

In 1900s Puerto Rico, José Esperanza is an aboriginal Taino. His ancestry dates back to the island’s original native peoples, who were all but destroyed during the Spaniards’ colonization. Now that it’s newly under U.S. rule, Americans are flocking to the island, bringing teachers, missionaries, and profiteers to the rain forest to scrounge out livings. Such scrounging isn’t foreign to José, who spends his days foraging to provide for his family after the death of his father. He finds little aid, as his mother is sick with grief and his eldest brother is a lazy burden. His younger brother and sister are eager to help, but they’re easily distracted by modern commodities and thoughts of life outside Puerto Rico. Along the way, though, José finds new mentors: a zealous American, Montgomery Holland, who, impressed by the boy’s work ethic, employs him on his tobacco farm; Miss Alexandra “Vyris” Paul, a woman feared and respected as a witch, who bears a familial burden much like José’s; an insistent teacher; a stuttering shopkeeper, and others. Rosa paints a vivid picture of turn-of-the-century Puerto Rico, a lively sierra of breathtaking colors and scurrying, slithering, and sometimes-frightening wildlife. José’s drive to help his family as his world changes around him gives the book much of its narrative motion, but its real charm is in its animated portrayal of the island’s jungles and mountains, its turbulent Luquillo River, and its storms’ violence. The novel has a languid storytelling style, and its lengthy conversations and occasional songs give it an anecdotal structure. The only drawback is that its moments of urgency, as when José’s eldest brother is struck with worms, are slowed considerably by expositional digressions. Ultimately, though, the plot is secondary to the rich history and vibrant backdrops.

A slow-paced novel with a beautifully portrayed tropical setting.

Pub Date: Jan. 22, 2015

ISBN: 978-1502570932

Page Count: 516

Publisher: CreateSpace

Review Posted Online: March 26, 2015

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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