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Musings of Yukiyu'

A slow-paced novel with a beautifully portrayed tropical setting.

In Rosa’s (Fractured, 2013, etc.) historical novel, tragedy forces a Puerto Rican teenager to become his family’s sole provider as America’s influence begins to slowly change his native land.

In 1900s Puerto Rico, José Esperanza is an aboriginal Taino. His ancestry dates back to the island’s original native peoples, who were all but destroyed during the Spaniards’ colonization. Now that it’s newly under U.S. rule, Americans are flocking to the island, bringing teachers, missionaries, and profiteers to the rain forest to scrounge out livings. Such scrounging isn’t foreign to José, who spends his days foraging to provide for his family after the death of his father. He finds little aid, as his mother is sick with grief and his eldest brother is a lazy burden. His younger brother and sister are eager to help, but they’re easily distracted by modern commodities and thoughts of life outside Puerto Rico. Along the way, though, José finds new mentors: a zealous American, Montgomery Holland, who, impressed by the boy’s work ethic, employs him on his tobacco farm; Miss Alexandra “Vyris” Paul, a woman feared and respected as a witch, who bears a familial burden much like José’s; an insistent teacher; a stuttering shopkeeper, and others. Rosa paints a vivid picture of turn-of-the-century Puerto Rico, a lively sierra of breathtaking colors and scurrying, slithering, and sometimes-frightening wildlife. José’s drive to help his family as his world changes around him gives the book much of its narrative motion, but its real charm is in its animated portrayal of the island’s jungles and mountains, its turbulent Luquillo River, and its storms’ violence. The novel has a languid storytelling style, and its lengthy conversations and occasional songs give it an anecdotal structure. The only drawback is that its moments of urgency, as when José’s eldest brother is struck with worms, are slowed considerably by expositional digressions. Ultimately, though, the plot is secondary to the rich history and vibrant backdrops.

A slow-paced novel with a beautifully portrayed tropical setting.

Pub Date: Jan. 22, 2015

ISBN: 978-1502570932

Page Count: 516

Publisher: CreateSpace

Review Posted Online: March 26, 2015

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

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Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

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