A courtly Richmond dilettante's visit to Philadelphia turns into a nightmare when he is mistaken—and mistaken, and mistaken- -for another man. As his train pulls into 30th Street station, a porter hands Tristram Heade his lost wallet. But it isn't his wallet, as he discovers after he checks into his hotel—not his usual hotel, but another one, where everyone greets him as Angus Markham, the name inside the wallet. Tristram can see a general resemblance between himself and the photo of Angus, but that's no reason why dewy Fleur Grunwald should turn up outside his door, announce that she's finally ready to take the advice he, Angus, gave her three years ago at Sarasota to leave her abusive husband. Trapped first by his fear of making a scene, then by solicitude toward Fleur, Tristram finds himself insensibly slipping into Angus Markham's identity, even as he realizes that Fleur herself has an alter ego named Zoe, whose words and actions bespeak a worldly knowledge and a thirst for revenge far beyond Fleur's experience. When Tristram goes to have it out with Fleur's maligned husband, Otto Grunwald, Otto calmly denies every one of Zoe's impassioned charges. Otto tells Tristram that not only does he not forcibly tattoo Fleur, as she claims he does, but that the tattoos that so horrified Tristram are fakes, vegetable oil rather than ink, applied by Fleur herself. Tormented by indecision about whom to believe, Tristram returns to the Grunwald home determined to prove or disprove Fleur's story once and for all—but he hasn't counted on the extent to which he's been charmed out of himself, not by Fleur, but by Angus Markham, and by the glass eye that seems to have been watching him ever since he picked it up outside Fleur's apartment. With echoes of Poe and Henry James, Smith (Snake Eyes, 1991, etc.) gives this anecdotal tale a shivery intensity. (Book-of- the-Month Club/Quality Paperback Book Club alternate selections)
Pub Date: March 13, 1995
ISBN: 0-525-93947-4
Page Count: 192
Publisher: Dutton
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 1995
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of...
Lifelong, conflicted friendship of two women is the premise of Hannah’s maudlin latest (Magic Hour, 2006, etc.), again set in Washington State.
Tallulah “Tully” Hart, father unknown, is the daughter of a hippie, Cloud, who makes only intermittent appearances in her life. Tully takes refuge with the family of her “best friend forever,” Kate Mularkey, who compares herself unfavorably with Tully, in regards to looks and charisma. In college, “TullyandKate” pledge the same sorority and major in communications. Tully has a life goal for them both: They will become network TV anchorwomen. Tully lands an internship at KCPO-TV in Seattle and finagles a producing job for Kate. Kate no longer wishes to follow Tully into broadcasting and is more drawn to fiction writing, but she hesitates to tell her overbearing friend. Meanwhile a love triangle blooms at KCPO: Hard-bitten, irresistibly handsome, former war correspondent Johnny is clearly smitten with Tully. Expecting rejection, Kate keeps her infatuation with Johnny secret. When Tully lands a reporting job with a Today-like show, her career shifts into hyperdrive. Johnny and Kate had started an affair once Tully moved to Manhattan, and when Kate gets pregnant with daughter Marah, they marry. Kate is content as a stay-at-home mom, but frets about being Johnny’s second choice and about her unrealized writing ambitions. Tully becomes Seattle’s answer to Oprah. She hires Johnny, which spells riches for him and Kate. But Kate’s buttons are fully depressed by pitched battles over slutwear and curfews with teenaged Marah, who idolizes her godmother Tully. In an improbable twist, Tully invites Kate and Marah to resolve their differences on her show, only to blindside Kate by accusing her, on live TV, of overprotecting Marah. The BFFs are sundered. Tully’s latest attempt to salvage Cloud fails: The incorrigible, now geriatric hippie absconds once more. Just as Kate develops a spine, she’s given some devastating news. Will the friends reconcile before it’s too late?
Dated sermonizing on career versus motherhood, and conflict driven by characters’ willed helplessness, sap this tale of poignancy.Pub Date: Feb. 1, 2008
ISBN: 978-0-312-36408-3
Page Count: 496
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2007
BOOK TO SCREEN
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