Dani can’t sleep the night before school starts, and with good reason. Will she like it? Will she be forced to spend all her...

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MY HAPPY LIFE

From the My Happy Life series , Vol. 1

A chapter book about childhood depression paradoxically delivers a very happy reading experience.

Dani can’t sleep the night before school starts, and with good reason. Will she like it? Will she be forced to spend all her time learning? Luckily, she makes a new best friend on Day 2. Dani and Ella sit together at lunchtime, choose each other for partners, establish the Night Club (an ambitious name for sleepovers) and even wear two halves of one heart necklace. Nothing can come between them, except, all of a sudden, “thousands of streets and roads” between Dani’s town and Ella’s new house, where she has to move with her family. Dani is no stranger to loss; her mother died when she was younger, but when she loses Ella, her happy mood succumbs to depression. New hamsters help. New friends help. But what really helps is the promise of a visit. Acclaimed Swedish writer Lagercrantz applies exactly the right amount of whimsical childhood observation and attitude to a serious exploration of a very young, broken heart. Eriksson’s pen-and-ink illustrations supply a simple yet wholly engaged context for these small, brave characters. A sweet read for both children and their parents, who may be grateful at the reminder of the emotional complexity lurking behind their children’s smiles. (Fiction. 6-10) .

A sweet read for both children and their parents, who may be grateful at the reminder of the emotional complexity lurking behind their children’s smiles(Fiction. 6-10)

Pub Date: April 1, 2013

ISBN: 978-1-8775-7935-6

Page Count: 136

Publisher: Gecko Press

Review Posted Online: Feb. 27, 2013

Kirkus Reviews Issue: March 15, 2013

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A lesson that never grows old, enacted with verve by two favorite friends

WAITING IS NOT EASY!

From the Elephant & Piggie series

Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”

When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.

A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)

Pub Date: Nov. 4, 2014

ISBN: 978-1-4231-9957-1

Page Count: 64

Publisher: Hyperion

Review Posted Online: Nov. 5, 2014

Kirkus Reviews Issue: Nov. 15, 2014

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Cool beans indeed.

THE COOL BEAN

A supposed “has-bean” shows that coolness has more to do with deeds than demeanor.

Offering further moral instruction in this leguminous cousin to The Bad Seed (2017) and The Good Egg (2019), Oswald portrays three beans—each a different species but all sporting boss shades, fly threads, and that requisite air of nonchalance—bringing the cool to streets, hallways, playgrounds, and Leguma Beach. Meanwhile, a fourth (a scraggly-haired chickpea), whose efforts to echo the look and the ’tude have fallen flat, takes on the role of nerdy narrator to recall “olden days” when they all hung out in the same pod. Still, despite rolling separate ways (nobody’s fault: “That’s just how it is sometimes. You spend less time together, even though you’re not totally sure why”), when the uncool bean drops a lunch tray, skins a kid knee on the playground, or just needs a hint in class, one of the others is always on the scene toot suite. No biggie. And passing those casual acts of kindness forward? “Now that’s cool.” John’s good-hearted text makes some hay with the bean puns while Oswald’s pipe-stemmed limbs, googly eyes, and accessories give these anthropomorphic legumes lots of personality. As a fava to young audiences, pair with Jamie Michalak and Frank Kolar’s Frank and Bean (2019) for a musical combination.

Cool beans indeed. (Picture book. 6-9)

Pub Date: Dec. 3, 2019

ISBN: 978-0-06-295452-7

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 23, 2019

Kirkus Reviews Issue: Nov. 15, 2019

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