Transformations, indeed, abound in this brittle world where everything is possible and yet everything is at risk. The result...

THE COLOUR

The Gold Rush is on, not out west but in 1860s New Zealand, and a young marriage is one of its casualties in this gripping pioneer story from the greatly gifted Tremain (Music and Silence, 2000, etc.).

Few emigrants have wanted to start over as ardently as Joseph Blackstone, who is fleeing two deaths in his native England. His father died in a horrible freak accident, his sweetheart in a different accident, for which Joseph feels (rightly) profound guilt. He has brought to the South Island his mother Lilian (no woman is more important) and his bride Harriet, a former governess. Harriet is the ideal pioneer, “a woman who longed for the unfamiliar” and for tests of her strength. Joseph has bought land and built a primitive house. The three scurry like ants under a vast sky, plains before them, fearsome mountains behind—until Joseph finds traces of gold beside their creek. The gold seduces him. It becomes his secret love. Clever Harriet figures this out, though, and, on top of his selfishness, this secrecy dooms her love for him. Soon, Joseph joins the Rush (far away from his property), marks out his claim, sinks his shafts. Anything for the colour! (A teenage hustler makes his nights less lonely.) Tremain does a fine job exploring the culture of the Rush: the noise, the stink, the thrill of the “homeward bounder.” Meanwhile, the elements have destroyed his house, and Lilian has died trying to save it. Harriet rejoins him, without tenderness, and sets up her own camp. True to form, Tremain doesn’t confine herself to the white settler’s viewpoint: other important characters include a Maori woman guided by the spirit world, and a Chinese market gardener who will play a crucial plot role and experience a transformation.

Transformations, indeed, abound in this brittle world where everything is possible and yet everything is at risk. The result is a page-turner that’s also a work of startling beauty.

Pub Date: May 21, 2003

ISBN: 0-374-12605-4

Page Count: 400

Publisher: Farrar, Straus and Giroux

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 15, 2003

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THE TATTOOIST OF AUSCHWITZ

An unlikely love story set amid the horrors of a Nazi death camp.

Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.

The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.

Pub Date: Sept. 4, 2018

ISBN: 978-0-06-279715-5

Page Count: 272

Publisher: Harper/HarperCollins

Review Posted Online: July 17, 2018

Kirkus Reviews Issue: Aug. 1, 2018

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ANIMAL FARM

A FAIRY STORY

A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.

Pub Date: Aug. 26, 1946

ISBN: 0452277507

Page Count: 114

Publisher: Harcourt, Brace

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: Aug. 1, 1946

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