Despite its flaws, this uneven offering still serves to introduce numbers bilingually.

READ REVIEW

ONE IS A PIÑATA

A BOOK OF NUMBERS

Readers count up from one piñata to 10 friends at a fiesta.

The numbers are introduced, in English, in erratically metered three- or four-line stanzas. “Two are maracas / we shake to the beat. / Two are zapatos / on my feet.” The Spanish number names appear only under the indicated numeral—none are included in any of the verses even though there are 10 opportunities to give the Spanish números equal billing alongside their English equivalents, a lapse also seen in Thong’s two previous concept books, Round Is a Tortilla (2013) and Green Is a Chile Pepper (2014). It’s an odd choice, as Spanish vocabulary building is a principal focus of the series. There are also incidences of cultural dissonance, as in the spread that counts “Six kinds of salsa / to pour on rice”—an extremely irregular way to serve Mexican rice. The glossary omits the Feast of the Three Kings despite a banner that reads “¡Feliz día de Reyes!” In addition, it reinforces the incorrect Anglicized pronunciation of basic words, indicating, for instance, “NOO-bays” instead of “NOO-behs” (nubes—clouds) and “peen-YAH-tah” instead of the correct “pee-NYAH-tah” (piñata). Diphthongs are ignored altogether: The three-syllable “fee-EHST-ah” is used instead of the correct, two-syllable “FYEHS-tah” (fiesta). Parra’s simple matte characters introduced in the previous titles in this series provide continuity and familiarity.

Despite its flaws, this uneven offering still serves to introduce numbers bilingually. (Picture book. 4-6)

Pub Date: March 12, 2019

ISBN: 978-1-4521-5584-5

Page Count: 40

Publisher: Chronicle

Review Posted Online: Jan. 15, 2019

Kirkus Reviews Issue: Feb. 1, 2019

Did you like this book?

No Comments Yet

Laugh-out-loud fun for all.

Our Verdict

  • Our Verdict
  • GET IT

Google Rating

  • google rating
  • google rating
  • google rating
  • google rating
  • google rating
  • New York Times Bestseller

NANETTE'S BAGUETTE

Hilarious complications ensue when Nanette’s mom gives her the responsibility of buying the family baguette.

She sets out on her errand and encounters lots of distractions along the way as she meets and greets Georgette, Suzette, Bret with his clarinet, Mr. Barnett and his pet, Antoinette. But she remembers her mission and buys the baguette from Juliette the baker. And oh, it is a wonderful large, warm, aromatic hunk of bread, so Nanette takes a taste and another and more—until there is nothing left. Maybe she needs to take a jet to Tibet. But she faces her mother and finds understanding, tenderness, and a surprise twist. Willems is at his outlandish best with line after line of “ettes” and their absurd rhymes, all the while demonstrating a deep knowledge of children’s thought processes. Nanette and the entire cast of characters are bright green frogs with very large round eyes, heavily outlined in black and clad in eccentric clothing and hats. A highly detailed village constructed of cardboard forms the background for Nanette’s adventures. Her every emotion explodes all over the pages in wildly expressive, colorful vignettes and an eye-popping use of emphatic display type. The endpapers follow the fate of the baguette from fresh and whole to chewed and gone. Demands for encores will surely follow.

Laugh-out-loud fun for all. (Picture book. 3-6)

Pub Date: Oct. 25, 2016

ISBN: 978-1-4847-2286-2

Page Count: 40

Publisher: Hyperion

Review Posted Online: Aug. 2, 2016

Kirkus Reviews Issue: Sept. 1, 2016

Did you like this book?

No Comments Yet

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history.

THE SCARECROW

Ferry and the Fans portray a popular seasonal character’s unlikely friendship.

Initially, the protagonist is shown in his solitary world: “Scarecrow stands alone and scares / the fox and deer, / the mice and crows. / It’s all he does. It’s all he knows.” His presence is effective; the animals stay outside the fenced-in fields, but the omniscient narrator laments the character’s lack of friends or places to go. Everything changes when a baby crow falls nearby. Breaking his pole so he can bend, the scarecrow picks it up, placing the creature in the bib of his overalls while singing a lullaby. Both abandon natural tendencies until the crow learns to fly—and thus departs. The aabb rhyme scheme flows reasonably well, propelling the narrative through fall, winter, and spring, when the mature crow returns with a mate to build a nest in the overalls bib that once was his home. The Fan brothers capture the emotional tenor of the seasons and the main character in their panoramic pencil, ballpoint, and digital compositions. Particularly poignant is the close-up of the scarecrow’s burlap face, his stitched mouth and leaf-rimmed head conveying such sadness after his companion goes. Some adults may wonder why the scarecrow seems to have only partial agency, but children will be tuned into the problem, gratified by the resolution.

A welcome addition to autumnal storytelling—and to tales of traditional enemies overcoming their history. (Picture book. 4-6)

Pub Date: Sept. 3, 2019

ISBN: 978-0-06-247576-3

Page Count: 40

Publisher: Harper/HarperCollins

Review Posted Online: May 8, 2019

Kirkus Reviews Issue: June 1, 2019

Did you like this book?

No Comments Yet
more