Schindler (Hog Music, 2000, etc.) beautifully illustrates a poem from the Benéts’ Book of Americans (1933) with spacious scenes of a cheerful, bearded, apple-cheeked wanderer, sometimes seen in youth, sometimes in old age, juggling apples and tending both gnarled fruit trees and slender saplings in sunny, sparsely settled landscapes. Shades of soft greens and rosy apple come from extraordinary use of colored pencils in details that manage to convey the spirit as well as the humor of the legend. The strongly rhythmic verses still roll out grandly—“He has no statue. / He has no tomb. / He has his apple trees / Still in bloom.” And if a Benét seedling, Thomas, has to add an afterword acknowledging that a reference to Indians as “wild things” carries “overtones of a less enlightened period in history,” this brief tribute still makes a stirring companion to more detailed accounts of John Chapman’s history and legend, such as Steven Kellogg’s Johnny Appleseed (1988) or Andrew Glass’s Folks Call Me Appleseed John (1998). (Picture book/poetry. 5-8)
Pub Date: July 1, 2001
ISBN: 0-689-82975-2
Page Count: 40
Publisher: McElderry
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2001
Sloat collaborates with Huffman, a Yu’pik storyteller, to infuse a traditional “origins” tale with the joy of creating. Hearing the old women of her village grumble that they have only tasteless crowberries for the fall feast’s akutaq—described as “Eskimo ice cream,” though the recipe at the end includes mixing in shredded fish and lard—young Anana carefully fashions three dolls, then sings and dances them to life. Away they bound, to cover the hills with cranberries, blueberries, and salmonberries. Sloat dresses her smiling figures in mixes of furs and brightly patterned garb, and sends them tumbling exuberantly through grassy tundra scenes as wildlife large and small gathers to look on. Despite obtrusively inserted pronunciations for Yu’pik words in the text, young readers will be captivated by the action, and by Anana’s infectious delight. (Picture book/folktale. 6-8)
Pub Date: June 1, 2004
ISBN: 0-88240-575-6
Page Count: 32
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2004
Rapunzel, Rapunzel, let down your dreads! Isadora once again plies her hand using colorful, textured collages to depict her fourth fairy tale relocated to Africa. The narrative follows the basic story line: Taken by an evil sorceress at birth, Rapunzel is imprisoned in a tower; Rapunzel and the prince “get married” in the tower and she gets pregnant. The sorceress cuts off Rapunzel’s hair and tricks the prince, who throws himself from the tower and is blinded by thorns. The terse ending states: “The prince led Rapunzel and their twins to his kingdom, where they were received with great joy and lived happily every after.” Facial features, clothing, dreadlocks, vultures and the prince riding a zebra convey a generic African setting, but at times, the mixture of patterns and textures obfuscates the scenes. The textile and grain characteristic of the hewn art lacks the elegant romance of Zelinksy’s Caldecott version. Not a first purchase, but useful in comparing renditions to incorporate a multicultural aspect. (Picture book/fairy tale. 6-8)
Pub Date: Oct. 1, 2008
ISBN: 978-0-399-24772-9
Page Count: 32
Publisher: Putnam
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Sept. 1, 2008
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