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GHOSTED

A romantic, sad, and ultimately hopeful book that’s perfect for fans of Jojo Moyes.

In Walsh’s American debut, a woman desperately tries to find out why the man she spent a whirlwind week with never called.

Sarah has just separated from her American husband and is visiting her hometown in England when she meets Eddie. He’s kind and charming, and although they only spend one week together, she falls in love. When he has to leave for a trip, she knows they’ll keep in touch—they’re already making plans for the rest of their lives. But then Eddie never calls, and Sarah’s increasingly frantic efforts to contact him are fruitless. Is he hurt? Is he dead? As her friends tell her, there’s a far greater likelihood that he’s just blowing her off—she’s been ghosted. After trying to track Eddie down at a football game, Sarah starts to become ashamed of herself—after all, she’s almost 40 years old and she’s essentially stalking a man who never called her. But as Sarah slowly learns, she and Eddie didn’t actually meet randomly—they both have a connection to an accident that happened years ago, and it may have something to do with why he disappeared. The tension quickly amps up as the secrets of Eddie’s and Sarah’s pasts are revealed, and the truth behind their connection is genuinely surprising and heartbreaking. The barriers between Sarah and Eddie seem insurmountable at times, and although their issues are resolved in a tidy manner, the emotions behind their actions are always believable. Walsh has created a deeply moving romance with an intriguing mystery and a touching portrait of grief at its heart.

A romantic, sad, and ultimately hopeful book that’s perfect for fans of Jojo Moyes.

Pub Date: July 24, 2018

ISBN: 978-0-525-52277-5

Page Count: 352

Publisher: Pamela Dorman/Viking

Review Posted Online: April 30, 2018

Kirkus Reviews Issue: May 15, 2018

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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