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GHOSTED

A romantic, sad, and ultimately hopeful book that’s perfect for fans of Jojo Moyes.

In Walsh’s American debut, a woman desperately tries to find out why the man she spent a whirlwind week with never called.

Sarah has just separated from her American husband and is visiting her hometown in England when she meets Eddie. He’s kind and charming, and although they only spend one week together, she falls in love. When he has to leave for a trip, she knows they’ll keep in touch—they’re already making plans for the rest of their lives. But then Eddie never calls, and Sarah’s increasingly frantic efforts to contact him are fruitless. Is he hurt? Is he dead? As her friends tell her, there’s a far greater likelihood that he’s just blowing her off—she’s been ghosted. After trying to track Eddie down at a football game, Sarah starts to become ashamed of herself—after all, she’s almost 40 years old and she’s essentially stalking a man who never called her. But as Sarah slowly learns, she and Eddie didn’t actually meet randomly—they both have a connection to an accident that happened years ago, and it may have something to do with why he disappeared. The tension quickly amps up as the secrets of Eddie’s and Sarah’s pasts are revealed, and the truth behind their connection is genuinely surprising and heartbreaking. The barriers between Sarah and Eddie seem insurmountable at times, and although their issues are resolved in a tidy manner, the emotions behind their actions are always believable. Walsh has created a deeply moving romance with an intriguing mystery and a touching portrait of grief at its heart.

A romantic, sad, and ultimately hopeful book that’s perfect for fans of Jojo Moyes.

Pub Date: July 24, 2018

ISBN: 978-0-525-52277-5

Page Count: 352

Publisher: Pamela Dorman/Viking

Review Posted Online: April 30, 2018

Kirkus Reviews Issue: May 15, 2018

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CARRIE

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these...

Figuratively and literally shattering moments of hoRRRRRipilication in Chamberlain, Maine where stones fly from the sky rather than from the hands of the villagers (as they did in "The Lottery," although the latter are equal to other forms of persecution).

All beginning when Carrie White discovers a gift with telekinetic powers (later established as a genetic fact), after she menstruates in full ignorance of the process and thinks she is bleeding to death while the other monsters in the high school locker room bait and bully her mercilessly. Carrie is the only child of a fundamentalist freak mother who has brought her up with a concept of sin which no blood of the Lamb can wash clean. In addition to a sympathetic principal and gym teacher, there's one girl who wishes to atone and turns her date for the spring ball over to Carrie who for the first time is happy, beautiful and acknowledged as such. But there will be hell to pay for this success—not only her mother but two youngsters who douse her in buckets of fresh-killed pig blood so that Carrie once again uses her "wild talent," flexes her mind and a complete catastrophe (explosion and an uncontrolled fire) virtually destroys the town.

King handles his first novel with considerable accomplishment and very little hokum—it's only too easy to believe that these youngsters who once ate peanut butter now scrawl "Carrie White eats shit." But as they still say around here, "Sit a spell and collect yourself."

Pub Date: April 8, 1974

ISBN: 0385086954

Page Count: 216

Publisher: Doubleday

Review Posted Online: Sept. 26, 2011

Kirkus Reviews Issue: April 1, 1974

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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