by Ross Barkan ‧ RELEASE DATE: Oct. 15, 2018
A funky sci-fi satire with something for everyone, but perhaps not quite what they expected.
A time-traveling insurgent makes plans to kill the mother of an authoritarian president in this acid satire of commerce, society, and social media.
Longtime New York City journalist and recent New York State Senate candidate Barkan skewers American society in this mashup that jams a dystopian time-travel story into a 1970s private-eye novel. First, we meet Archie London circa 1979, a prototypical, sullen ex-cop–turned–private dick slumming around the city, fighting crime at night as a masked hero named “Vengeance,” and nursing an aching crush on 20-year-old firebrand Lolita Velez. Meanwhile, in the 21st century, a charismatic president named Octavio Velez has transformed the country into a virtual slave state, where everyone works to boost corporations and brands over people. The key to this repression is a device called “The Gaggle,” a kind of souped-up social media platform that consumes the populace: “The system encouraged ephemeral interaction, thought and language facilitated by technology that could never undo the cancerous status quo because they were, by definition, the status quo, and suicide was so taboo.” In the midst of all this, a multibillionaire named Chase Dimon announces a splashy event to take his son back to the Jurassic Age using his company’s spanking new time machine. But the experiment fails, sending them back to 1979, where Dimon meets a poor end. Following the incident, a fierce dissenter named Sundra Glassgarden plots to use the time machine to travel to 1979 to murder Octavio Velez’s mother and the love of Archie's life, Lolita, before Octavio can be born. Barkan’s punchy prose is terrific, but the novel never really crystallizes, shifting amorphously from superhero satire to gritty urban noir, punctuated by first-person chapters that sometimes disrupt the third-person flow. There's a dash of Bradbury, a healthy helping of Anthony Burgess, a scary reflection of our Orwellian times, and a bit of kink in Devora, Chase Dimon’s strap-on–wielding dominatrix widow.
A funky sci-fi satire with something for everyone, but perhaps not quite what they expected.Pub Date: Oct. 15, 2018
ISBN: 978-0-692-07138-0
Page Count: 234
Publisher: Tough Poets Press
Review Posted Online: Sept. 17, 2018
Kirkus Reviews Issue: Oct. 1, 2018
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by Kristin Hannah ‧ RELEASE DATE: May 1, 2003
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...
Sisters in and out of love.
Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?
Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.Pub Date: May 1, 2003
ISBN: 0-345-45073-6
Page Count: 400
Publisher: Ballantine
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: April 1, 2003
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by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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