A humorous and witty chronicle of a woman’s pulling-herself-up-by-her-bootstraps rise through the culinary ranks.

THE RAGING SKILLET

THE TRUE LIFE STORY OF CHEF ROSSI

How one woman learned to cook and made a name for herself in the catering industry.

Growing up as an overweight Orthodox Jew, Rossi’s first introduction to cooking came about as a means to survive after her mother started microwaving all of the family food instead of creating goulashes and stews that simmered on the stove all day. “Suddenly,” she writes, “that elusive sensation of being the only one who could provide what everyone wanted was in my grasp, wedged between the kitchen mitts and the platter of cheese ravioli.” From the pizza bagels that launched her career in the kitchen, Rossi wends her way through the ups and downs and side streets of her rise to cooking fame. With a good shot of humor, a splash of self-deprecation, and a smidgen or two of sadness and regret, she chronicles her introductions to bartending and cooking, her coming out as a lesbian and non–Orthodox Jew to her family, and her rocky relationship with her mother, who, like many good Jewish mothers, used guilt as her favorite spice. Rossi intertwines character descriptions of the chefs, cooks, and waiters she’s worked with and for over the years as she moves through the decades and the numerous positions she held before she launched her own catering service. There’s Big S, who was “stirring tomato sauce, wearing nothing but a black lace bra, matching panties, and an apron,” and the French chef who abhorred having women in the kitchen, let alone a gay Jewish woman. Each of the author’s stories is well-rounded, redolent of salty sweat, sweet love, and the joy of food. The inclusion of numerous recipes related to each narrative is an added garnish to an already satisfying meal.

A humorous and witty chronicle of a woman’s pulling-herself-up-by-her-bootstraps rise through the culinary ranks.

Pub Date: Nov. 10, 2015

ISBN: 978-1-55861-902-9

Page Count: 220

Publisher: Feminist Press

Review Posted Online: July 25, 2015

Kirkus Reviews Issue: Aug. 15, 2015

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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