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THE WOLF AND THE LAMB

An entertaining treat with enough history to satisfy serious-minded readers.

Jane Austen meets Bleak House in an engaging historical novel about the demands of marriage in late 18th-century England.

The first installment in a proposed trilogy, the book centers on Mary Cole, a Gloucester butcher’s daughter whose chief virtue is an unalterable sense of goodness, a quality hard to maintain as the youngest sister of two unapologetic harlots. Barely 16 years old, Mary catches the eye of notorious lothario Frederick Augustus, the 5th Earl of Berkeley, who has always sworn to avoid the prison of marriage. Frederick senses that a beautiful saint like Mary can save him from his immoral ways and stops at nothing to seduce her. When she refuses his advances, he manipulates her family’s dire economic state and tricks her into unwedded communion. Despite Mary’s true love for James Perry, an aspiring young lawyer with only the purest of intentions, she gives up her happiness to save her family. Answering demands that they marry, Frederick sets up a fraudulent marriage contract, one that he convinces Mary can never be revealed because of her low social status and the indecent reputation of her sisters. During the next 15 years, she bears a half-dozen children and potential heirs but finds that claiming a birthright for her seemingly illegitimate sons will become the fight of her life. Through the narrative thread concerning Frederick’s aversion to marriage, Cole explores the marital adventures of Frederick’s close friend the Prince of Wales, whose desire for the twice-widowed Maria Fitzherbert runs afoul of the Royal Marriages Act of 1772–it prohibits the prince from marrying without the consent of his father King George III, who disapproves of the widow’s Catholic faith. The novel moves along like a runaway carriage and features many delectable trappings–chance encounters at the opera, duplicitous servants, church officials taken to drink and hidden agendas–found in the very best Victorian novels.

An entertaining treat with enough history to satisfy serious-minded readers.

Pub Date: Feb. 1, 2008

ISBN: 978-0-9556877-1-6

Page Count: -

Publisher: N/A

Review Posted Online: May 23, 2010

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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