An intense, unsparingly honest portrait of childhood crisis and its enduring aftermath.

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HUNGER

A MEMOIR OF (MY) BODY

A heart-rending debut memoir from the outspoken feminist and essayist.

Gay (Bad Feminist, 2014, etc.) pulls no punches in declaring that her story is devoid of “any powerful insight into what it takes to overcome an unruly body and unruly appetites.” Rather than a success story, it depicts the author, at 42, still in the throes of a lifelong struggle with the fallout from a harrowing violation in her youth. The author exposes the personal demons haunting her life—namely weight and trauma—which she deems “the ugliest, weakest, barest parts of me.” Much of her inner turmoil sprang from a devastating gang rape at age 12. “I ate and ate and ate in the hopes that if I made myself big, my body would be safe,” she writes. Gay painfully recalls the “lost years” of her reckless 20s as a time when food, the anonymity of the internet, and creative writing became escapes and balms for loneliness. The author refers to her body as a “cage” in which she has become trapped, but her obesity also presents itself as a personal challenge to overcome the paralyzing psychological damage caused by rape. Broken into clipped, emotionally resonant chapters, Gay details a personal life spent grappling with the comfort of food, body hyperconsciousness, shame, and self-loathing. Throughout, the author is rightfully opinionated, sharply criticizing the media’s stereotypical portrayal of obesity and Oprah Winfrey’s contradictory dieting messages. She is just as engaging when discussing her bisexuality and her adoration for Ina Garten, who taught her “that a woman can be plump and pleasant and absolutely in love with food.” Gay clearly understands the dynamics of dieting and exercise and the frustrations of eating disorders, but she also is keenly in touch with the fact that there are many who feel she is fine just as she is. The author continues her healing return from brokenness and offers hope for others struggling with weight, sexual trauma, or bodily shame.

An intense, unsparingly honest portrait of childhood crisis and its enduring aftermath.

Pub Date: June 13, 2017

ISBN: 978-0-06-236259-9

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: May 2, 2017

Kirkus Reviews Issue: May 15, 2017

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If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

THE 48 LAWS OF POWER

The authors have created a sort of anti-Book of Virtues in this encyclopedic compendium of the ways and means of power.

Everyone wants power and everyone is in a constant duplicitous game to gain more power at the expense of others, according to Greene, a screenwriter and former editor at Esquire (Elffers, a book packager, designed the volume, with its attractive marginalia). We live today as courtiers once did in royal courts: we must appear civil while attempting to crush all those around us. This power game can be played well or poorly, and in these 48 laws culled from the history and wisdom of the world’s greatest power players are the rules that must be followed to win. These laws boil down to being as ruthless, selfish, manipulative, and deceitful as possible. Each law, however, gets its own chapter: “Conceal Your Intentions,” “Always Say Less Than Necessary,” “Pose as a Friend, Work as a Spy,” and so on. Each chapter is conveniently broken down into sections on what happened to those who transgressed or observed the particular law, the key elements in this law, and ways to defensively reverse this law when it’s used against you. Quotations in the margins amplify the lesson being taught. While compelling in the way an auto accident might be, the book is simply nonsense. Rules often contradict each other. We are told, for instance, to “be conspicuous at all cost,” then told to “behave like others.” More seriously, Greene never really defines “power,” and he merely asserts, rather than offers evidence for, the Hobbesian world of all against all in which he insists we live. The world may be like this at times, but often it isn’t. To ask why this is so would be a far more useful project.

If the authors are serious, this is a silly, distasteful book. If they are not, it’s a brilliant satire.

Pub Date: Sept. 1, 1998

ISBN: 0-670-88146-5

Page Count: 430

Publisher: Viking

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: July 15, 1998

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The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

NIGHT

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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