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AMERICAN VANDAL

MARK TWAIN ABROAD

A brisk narrative and sensitive insights make this book a delight.

The story of the beloved American novelist’s nearly 12 years abroad.

Peripatetic Mark Twain (1835-1910) traveled the world, beginning in 1867 with a five-month, 20,000-mile journey to 15 ports in eight countries. That adventure resulted in his first travel book, Innocents Abroad (1869), which introduced its irreverent, insouciant narrator, the American Vandal: “a brazen, unapologetic visitor to foreign lands, generally unimpressed with the local ambience—to say nothing of the local inhabitants—but ever ready to appropriate any religious or historical trinket he or she could carry off.” In this vibrant, fresh look at the venerable writer, historian Morris (Declaring His Genius: Oscar Wilde in North America, 2013, etc.) traces Twain’s journeys and his evolving perspective on world politics and peoples. More than a decade after his first trip, Twain, his wife and two of their daughters embarked on a European adventure to gather material for A Tramp Abroad (1880). Despite the jaunty title, Twain found that he was no longer an American Vandal but “a well-tailored, respectable middle-aged Easterner…who now confronted European culture on his own relatively sophisticated terms.” His self-image changed more dramatically during a long journey that included India and Africa, chronicled in Following the Equator (1897). “Twain, for all his joking facade, was a keen and sensitive observer,” the author contends, “and his recent world tour had brought him face to face with the myriad horrors of power politics.” As one scholar put it, Twain saw that the “vandals have evolved into oppressors.” Returning from another trip in 1904, he joined the Anti-Imperialist League. Morris sets Twain’s travels in the context of his financial problems, family tensions and wrenching loss: He and Livy were in Europe when their beloved daughter, Susy, died of spinal meningitis; Livy died in Florence; and as he aged, Twain lost many dear friends.

A brisk narrative and sensitive insights make this book a delight.

Pub Date: March 10, 2015

ISBN: 978-0674416697

Page Count: 236

Publisher: Belknap/Harvard Univ.

Review Posted Online: Jan. 3, 2015

Kirkus Reviews Issue: Jan. 15, 2015

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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