A chaotic, manic novel about grief.
A grieving Atlanta man seeks relief in travel, dissociation, and the contents of a relative’s old trunk in Singletary’s experimental novel.
A man facing divorce in the American South suffers a tragedy when his son dies by suicide. Rocked by the death and the dissolution of his marriage, he decides to travel to exotic locales around the globe. It’s unclear what his name is, but some details suggest his character, especially memories of an old friend named Berry. The story grows weirder (possibly involving shape-shifters) as the protagonist travels further, both inwardly and outwardly. The man has a relative’s trunk containing a journal or some sort of travel writing describing the relative’s time in Istanbul (when it was still called Constantinople); in this relative’s story, the narrator finds some kind of solace. (A sample of the syntax: “When I begin to decipher what I found in the relation’s trunk, what slowly began to replace the child.”) It’s clear the man likes being a southerner (“What Southerner won’t dream of warm sun in December?”), and the text does include some brief moments of lucidity, but the overwhelming majority of the writing is inscrutable: “We no longer wore masks and our visitation relaxed, I glad the company, the weather making ME think of global ice-cream visita a porch what was a porch I knew she wanted to ask vista visits mister?” There may be something of a story somewhere in the book, but Singletary has cloaked it in so much incoherent blather that it is impossible to find. There’s certainly a great deal of energy in the writing, the frenzied and experimental formatting is unique, and there’s definitely no other book around quite like this one. Even so, reading this requires too much effort and offers little reward, and it is unkind to ask readers to attempt it.
A chaotic, manic novel about grief.Pub Date: April 23, 2026
ISBN: 9781961206298
Page Count: 441
Publisher: Parlyaree Press
Review Posted Online: Jan. 18, 2026
Review Program: Kirkus Indie
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
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