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S STREET RISING

CRACK, MURDER, AND REDEMPTION IN D.C.

The subject matter is explosive and informed by good reporting, but the various narrative lines never really tie together,...

An illumination of the Washington, D.C., crack epidemic.

As a reporter for the Washington Post, Castaneda undoubtedly learned that it can be trouble when a journalist gets too close to his story and even more trouble when the journalist becomes the story. Yet the author, drawing heavily on his experience and reportage in the crack and murder capital of the country, compounds those troubles by pacing his multiple narratives as if writing a novel (re-creating the thoughts of characters in situations he wasn’t even around to witness) or TV series. The most dramatic narrative is the author’s own story, that of someone who was already using crack when he was brought from Los Angeles to the Post to cover crime and quickly escalated into full-blown addiction as the drug became both his beat and his life. The paper sent him to rehab, and he dedicated himself to recovery (after one serious slip); that part of the narrative pretty much disappears halfway through the book. The second narrative concerns the rise and fall of the city’s homicide chief, caught in the political machinations of Mayor Marion Berry’s regime, who became not only a major source for the reporter, but also a closer friend than the subject of a journalist’s coverage should be. Such a close relationship had consequences for both men. The third narrative concerns a minister who built a street church in the middle of a crack-dealing neighborhood and found the head dealer to be a guardian angel protecting the church—“a lovable teddy bear,” or, as one neighbor put it, “the notorious, lovable godfather.” Castaneda interweaves that narrative with the immediacy of the others, though he later explains that he experienced none of this firsthand but only learned of the preacher and the dealer after the fact.

The subject matter is explosive and informed by good reporting, but the various narrative lines never really tie together, and the novelistic approach undermines the journalism.

Pub Date: July 1, 2014

ISBN: 978-1-62040-004-3

Page Count: 304

Publisher: Bloomsbury

Review Posted Online: June 4, 2014

Kirkus Reviews Issue: June 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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INTO THE WILD

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor...

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The excruciating story of a young man on a quest for knowledge and experience, a search that eventually cooked his goose, told with the flair of a seasoned investigative reporter by Outside magazine contributing editor Krakauer (Eiger Dreams, 1990). 

Chris McCandless loved the road, the unadorned life, the Tolstoyan call to asceticism. After graduating college, he took off on another of his long destinationless journeys, this time cutting all contact with his family and changing his name to Alex Supertramp. He was a gent of strong opinions, and he shared them with those he met: "You must lose your inclination for monotonous security and adopt a helter-skelter style of life''; "be nomadic.'' Ultimately, in 1992, his terms got him into mortal trouble when he ran up against something—the Alaskan wild—that didn't give a hoot about Supertramp's worldview; his decomposed corpse was found 16 weeks after he entered the bush. Many people felt McCandless was just a hubris-laden jerk with a death wish (he had discarded his map before going into the wild and brought no food but a bag of rice). Krakauer thought not. Admitting an interest that bordered on obsession, he dug deep into McCandless's life. He found a willful, reckless, moody boyhood; an ugly little secret that sundered the relationship between father and son; a moral absolutism that agitated the young man's soul and drove him to extremes; but he was no more a nutcase than other pilgrims. Writing in supple, electric prose, Krakauer tries to make sense of McCandless (while scrupulously avoiding off-the-rack psychoanalysis): his risky behavior and the rites associated with it, his asceticism, his love of wide open spaces, the flights of his soul.

A wonderful page-turner written with humility, immediacy, and great style. Nothing came cheap and easy to McCandless, nor will it to readers of Krakauer's narrative. (4 maps) (First printing of 35,000; author tour)

Pub Date: Jan. 1, 1996

ISBN: 0-679-42850-X

Page Count: 320

Publisher: Villard

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 15, 1995

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