by Rüdiger Safranski ‧ RELEASE DATE: April 15, 1998
The author sheds light on the varieties of darkness that shade the life and thought of, arguably, Germany's most influential 20th-century philosopher. Safranski (Schopenhauer and the Wild Years of Philosophy, not reviewed) presents Heidegger in the context of what Osers, the book's translator, so brilliantly calls ``that German specialty for extravagant wretchedness.'' More than most German philosophers, Heidegger, in quest of Being, pushes to the brink of incomprehensibility. The author comforts us with the knowledge that even so distinguished a friend of Heidegger's as Karl Jaspers, missed what Heidegger meant by ``Being.'' But the darkness of incomprehension was itself a principle of Heidegger's thought. Instead of the active, determining mind that Kant had posited, Heidegger found an intractable resistance to human reason—Being itself—of which we first become aware in amazement over the sheer fact that anything exists at all. We do not so much shape the world as find ourselves ``being there,'' or in German, Dasein. Against this cognitive darkness, Safranski sets the moral obscurity of Heidegger's Nazi involvement and tries to unravel the connections there between the philosopher's thought and life. The picture that emerges is, appropriately, darkly unfocused. When Safranski observes at the end of his book that Heidegger's ``brusqueness and severity'' mellowed with age, readers will wonder whether they've missed something: Brusqueness is already too defined a quality for what Hannah Arendt called Heidegger's ``lack of character, in the sense that he literally has none, certainly not a particularly bad one.'' Safranski suggests that the real Heidegger hovers between two self-portraits: modern tower of philosophy and modest attendant in the museum of philosophy's history, taking care that the works on display there are properly illuminated. Safranski's own take—both critical and appreciative—on Heidegger mirrors the complexity of his subject, and provides a welcome entrÇe to a difficult thought world.
Pub Date: April 15, 1998
ISBN: 0-674-38709-0
Page Count: 480
Publisher: Harvard Univ.
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: Feb. 1, 1998
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by Rüdiger Safranski translated by David Dollenmayer
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
BOOK REVIEW
by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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