by Rudyard Kipling ; illustrated by Jonas Lauströer ‧ RELEASE DATE: Nov. 1, 2018
The story is rather violent by current standards, but the accomplished visuals in this edition serve its rich, resonant...
Painterly portraits of African wildlife add naturalistic notes to this ever popular Just So story.
“In the High and Far-off Times the Elephant, O Best Beloved, had no trunk.” Except that the much-spanked pachyderm’s “ ’satiable curtiosity” has inexplicably been changed throughout to “ ’satiable curiosity,” the text with its glorious wordplay is, like the storyline, intact. Lauströer leaves backgrounds sketchy but lavishes attention on his animals—all of which are dark, solid, massive figures, depicted realistically enough to be practically smellable. Sometimes he follows the storyline literally, even putting into the scene accompanying the short-nosed young enquirer’s first impression of the crocodile a rather predatory-looking tree trunk. Elsewhere he lets fancy fly, festooning the tail of an ostrich with daisies, for instance, and transforming the white pattern on a giraffe into a loose net in which the lively Elephant’s Child is tangled. In the wake of the return of Elephant’s Child with a long trunk just right for meting out corporal punishment of his own, all of his relatives rush off to “borrow” new noses from Crocodile, and their return parade sporting stretched-out schnozzes (even the zebra and wildebeest) caps the pictures in droll style.
The story is rather violent by current standards, but the accomplished visuals in this edition serve its rich, resonant language nicely. (Picture book. 6-9)Pub Date: Nov. 1, 2018
ISBN: 978-988-8341-67-2
Page Count: 64
Publisher: minedition
Review Posted Online: Oct. 14, 2018
Kirkus Reviews Issue: Nov. 1, 2018
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by Rudyard Kipling ; adapted by Laura Driscoll ; illustrated by Migy Blanco
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by Kwame Alexander & illustrated by Tim Bowers ‧ RELEASE DATE: Sept. 1, 2011
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look...
Winning actually isn’t everything, as jazz-happy Rooster learns when he goes up against the legendary likes of Mules Davis and Ella Finchgerald at the barnyard talent show.
Having put together a band with renowned cousin Duck Ellington and singer “Bee” Holiday, Rooster’s chances sure look good—particularly after his “ ‘Hen from Ipanema’ [makes] / the barnyard chickies swoon.”—but in the end the competition is just too stiff. No matter: A compliment from cool Mules and the conviction that he still has the world’s best band soon puts the strut back in his stride. Alexander’s versifying isn’t always in tune (“So, he went to see his cousin, / a pianist of great fame…”), and despite his moniker Rooster plays an electric bass in Bower’s canted country scenes. Children are unlikely to get most of the jokes liberally sprinkled through the text, of course, so the adults sharing it with them should be ready to consult the backmatter, which consists of closing notes on jazz’s instruments, history and best-known musicians.Pub Date: Sept. 1, 2011
ISBN: 978-1-58536-688-0
Page Count: 32
Publisher: Sleeping Bear Press
Review Posted Online: July 19, 2011
Kirkus Reviews Issue: Aug. 1, 2011
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by Kwame Alexander & Deanna Nikaido ; illustrated by Melissa Sweet
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by Kwame Alexander ; illustrated by Dare Coulter
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by Mo Willems ; illustrated by Mo Willems ‧ RELEASE DATE: Nov. 4, 2014
A lesson that never grows old, enacted with verve by two favorite friends
Gerald the elephant learns a truth familiar to every preschooler—heck, every human: “Waiting is not easy!”
When Piggie cartwheels up to Gerald announcing that she has a surprise for him, Gerald is less than pleased to learn that the “surprise is a surprise.” Gerald pumps Piggie for information (it’s big, it’s pretty, and they can share it), but Piggie holds fast on this basic principle: Gerald will have to wait. Gerald lets out an almighty “GROAN!” Variations on this basic exchange occur throughout the day; Gerald pleads, Piggie insists they must wait; Gerald groans. As the day turns to twilight (signaled by the backgrounds that darken from mauve to gray to charcoal), Gerald gets grumpy. “WE HAVE WASTED THE WHOLE DAY!…And for WHAT!?” Piggie then gestures up to the Milky Way, which an awed Gerald acknowledges “was worth the wait.” Willems relies even more than usual on the slightest of changes in posture, layout and typography, as two waiting figures can’t help but be pretty static. At one point, Piggie assumes the lotus position, infuriating Gerald. Most amusingly, Gerald’s elephantine groans assume weighty physicality in spread-filling speech bubbles that knock Piggie to the ground. And the spectacular, photo-collaged images of the Milky Way that dwarf the two friends makes it clear that it was indeed worth the wait.
A lesson that never grows old, enacted with verve by two favorite friends . (Early reader. 6-8)Pub Date: Nov. 4, 2014
ISBN: 978-1-4231-9957-1
Page Count: 64
Publisher: Hyperion
Review Posted Online: Nov. 4, 2014
Kirkus Reviews Issue: Nov. 15, 2014
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by Mo Willems ; illustrated by Mo Willems
by Mo Willems ; illustrated by Mo Willems
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