More than any reader wants to know about lowbrow writing.
Life imitates soap operas and gay porn, but certainly not art, in this fast-paced, homoerotic whodunit.
Smith (Fly on the Wall, 2003, etc.) delves with tabloid-like fervor into the tacky world of B-level British celebrity. The Virgil in this murky underworld is Paul Mackrell, an effete, Ph.D.-endowed and sex-starved author suffering from the dangerous dual-pronged affliction of writer’s block and severe cyber-sex addiction. Paul masturbates much more prolifically than he writes. However, this changes when he unexpectedly receives a call from Six Books, a publishing powerhouse in search of a ghostwriter to fine-tune the forthcoming autobiography of Eileen Weathers, famous and reportedly transsexual middle-aged star of a long-running soap opera. Accepting the assignment out of financial necessity, Paul soon realizes it is going to be tougher than anticipated. Eileen’s manuscript is merely one long paragraph, and not even a complete one at that; he will have to rewrite the entire book from scratch. On research visits to her Essex mansion, he becomes the boy-toy of Eileen’s mysterious and excessively virile Maltese valet, Danny. The ensuing assignations are described graphically: “Power excited Danny; that much was abundantly obvious as he pushed Paul’s face into his crotch. Paul could barely breathe; the little air he managed to snatch was richly scented.” Even more grating than the cheesy sex-talk, though, are the inexplicable racial slurs. Smith uses the word “nigger” on three separate occasions to no discernable end, and Paul’s unpublished screenplay is bafflingly entitled Prancing Nigger. Is the author making some sort of postmodern statement about language? His rationale is never clear.
More than any reader wants to know about lowbrow writing.Pub Date: May 1, 2007
ISBN: 1-85242-928-3
Page Count: 186
Publisher: Serpent’s Tail
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 15, 2007
BOOK REVIEW
Miller makes Homer pertinent to women facing 21st-century monsters.
A retelling of ancient Greek lore gives exhilarating voice to a witch.
“Monsters are a boon for gods. Imagine all the prayers.” So says Circe, a sly, petulant, and finally commanding voice that narrates the entirety of Miller’s dazzling second novel. The writer returns to Homer, the wellspring that led her to an Orange Prize for The Song of Achilles (2012). This time, she dips into The Odyssey for the legend of Circe, a nymph who turns Odysseus’ crew of men into pigs. The novel, with its distinctive feminist tang, starts with the sentence: “When I was born, the name for what I was did not exist.” Readers will relish following the puzzle of this unpromising daughter of the sun god Helios and his wife, Perse, who had negligible use for their child. It takes banishment to the island Aeaea for Circe to sense her calling as a sorceress: “I will not be like a bird bred in a cage, I thought, too dull to fly even when the door stands open. I stepped into those woods and my life began.” This lonely, scorned figure learns herbs and potions, surrounds herself with lions, and, in a heart-stopping chapter, outwits the monster Scylla to propel Daedalus and his boat to safety. She makes lovers of Hermes and then two mortal men. She midwifes the birth of the Minotaur on Crete and performs her own C-section. And as she grows in power, she muses that “not even Odysseus could talk his way past [her] witchcraft. He had talked his way past the witch instead.” Circe’s fascination with mortals becomes the book’s marrow and delivers its thrilling ending. All the while, the supernatural sits intriguingly alongside “the tonic of ordinary things.” A few passages coil toward melodrama, and one inelegant line after a rape seems jarringly modern, but the spell holds fast. Expect Miller’s readership to mushroom like one of Circe’s spells.
Miller makes Homer pertinent to women facing 21st-century monsters.Pub Date: April 10, 2018
ISBN: 978-0-316-55634-7
Page Count: 400
Publisher: Little, Brown
Review Posted Online: Jan. 22, 2018
Kirkus Reviews Issue: Feb. 1, 2018
PROFILES
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
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