by Russell Banks ‧ RELEASE DATE: Feb. 1, 2008
Banks is one of America’s finest novelists, but this oddly distanced work lacks the passionate personal engagement of a...
A left-wing artist tangles with a troubled heiress in this characteristically somber, class-conscious novel from Banks (The Darling, 2004, etc.).
On the evening of July 4, 1936, at their luxurious summer camp in a privately owned Adirondacks wilderness reserve, Carter and Evelyn Cole get a visit from Jordan Groves, a Rockwell Kent–like creator of woodcuts, prints and etchings. Though Jordan’s a notorious Red who has little use for people like the Coles (he’s there to look at some paintings), it’s hard for this inveterate womanizer to resist the attentions of their beautiful daughter Vanessa, twice-divorced veteran of many scandalous love affairs. She is also, Banks reveals not long into the narrative (with a shockingly unexpected image of Evelyn Cole bound and gagged by her daughter), quite crazy. After Dr. Cole has a fatal heart attack the night of Jordan’s visit, Vanessa becomes convinced (not without reason) that her mother plans to have her committed once again to a discreet Swiss asylum. So Vanessa ties up Mom and implausibly manages to enlist the help of Hubert St. Germain, one of the many locals whose ill-paid seasonal work comes from serving the summer people. Hubert is also the lover of Jordan’s discontented wife Alicia, and learning of their affair drives the artist into Vanessa’s arms—though not before her mother has been disposed of in a shotgun accident. Dark hints that Dr. Cole sexually abused Vanessa have been freely scattered, but also cast into serious doubt. A catastrophic fire covers up the evidence of Evelyn’s demise, and Hubert gets off scot-free despite having confessed his involvement to the odious manager of the Reserve’s country club. Jordan and Vanessa meet their separate just deserts in ends that owe more to history (the Hindenburg crash, the Spanish Civil War) than the author’s imagination.Banks is one of America’s finest novelists, but this oddly distanced work lacks the passionate personal engagement of a masterpiece like Continental Drift (1985) or the bracing historical revisionism of Cloudsplitter (1998).
Pub Date: Feb. 1, 2008
Page Count: 304
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2007
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by Amor Towles ‧ RELEASE DATE: Sept. 6, 2016
A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules...
Awards & Accolades
Best Books Of 2016
New York Times Bestseller
Sentenced to house arrest in Moscow's Metropol Hotel by a Bolshevik tribunal for writing a poem deemed to encourage revolt, Count Alexander Rostov nonetheless lives the fullest of lives, discovering the depths of his humanity.
Inside the elegant Metropol, located near the Kremlin and the Bolshoi, the Count slowly adjusts to circumstances as a "Former Person." He makes do with the attic room, to which he is banished after residing for years in a posh third-floor suite. A man of refined taste in wine, food, and literature, he strives to maintain a daily routine, exploring the nooks and crannies of the hotel, bonding with staff, accepting the advances of attractive women, and forming what proves to be a deeply meaningful relationship with a spirited young girl, Nina. "We are bound to find comfort from the notion that it takes generations for a way of life to fade," says the companionable narrator. For the Count, that way of life ultimately becomes less about aristocratic airs and privilege than generosity and devotion. Spread across four decades, this is in all ways a great novel, a nonstop pleasure brimming with charm, personal wisdom, and philosophic insight. Though Stalin and Khrushchev make their presences felt, Towles largely treats politics as a dark, distant shadow. The chill of the political events occurring outside the Metropol is certainly felt, but for the Count and his friends, the passage of time is "like the turn of a kaleidoscope." Not for nothing is Casablanca his favorite film. This is a book in which the cruelties of the age can't begin to erase the glories of real human connection and the memories it leaves behind.A masterly encapsulation of modern Russian history, this book more than fulfills the promise of Towles' stylish debut, Rules of Civility (2011).
Pub Date: Sept. 6, 2016
Page Count: 480
Review Posted Online: June 20, 2016
Kirkus Reviews Issue: July 1, 2016
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A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Norwegian novelist Jacobsen folds a quietly powerful coming-of-age story into a rendition of daily life on one of Norway’s rural islands a hundred years ago in a novel that was shortlisted for the 2017 Man Booker International Prize.
Ingrid Barrøy, her father, Hans, mother, Maria, grandfather Martin, and slightly addled aunt Barbro are the owners and sole inhabitants of Barrøy Island, one of numerous small family-owned islands in an area of Norway barely touched by the outside world. The novel follows Ingrid from age 3 through a carefree early childhood of endless small chores, simple pleasures, and unquestioned familial love into her more ambivalent adolescence attending school off the island and becoming aware of the outside world, then finally into young womanhood when she must make difficult choices. Readers will share Ingrid’s adoration of her father, whose sense of responsibility conflicts with his romantic nature. He adores Maria, despite what he calls her “la-di-da” ways, and is devoted to Ingrid. Twice he finds work on the mainland for his sister, Barbro, but, afraid she’ll be unhappy, he brings her home both times. Rooted to the land where he farms and tied to the sea where he fishes, Hans struggles to maintain his family’s hardscrabble existence on an island where every repair is a struggle against the elements. But his efforts are Sisyphean. Life as a Barrøy on Barrøy remains precarious. Changes do occur in men’s and women’s roles, reflected in part by who gets a literal chair to sit on at meals, while world crises—a war, Sweden’s financial troubles—have unexpected impact. Yet the drama here occurs in small increments, season by season, following nature’s rhythm through deaths and births, moments of joy and deep sorrow. The translator’s decision to use roughly translated phrases in conversation—i.e., “Tha’s goen’ nohvar” for "You’re going nowhere")—slows the reading down at first but ends up drawing readers more deeply into the world of Barrøy and its prickly, intensely alive inhabitants.A deeply satisfying novel, both sensuously vivid and remarkably poignant.
Pub Date: April 7, 2020
Page Count: 272
Review Posted Online: Jan. 12, 2020
Kirkus Reviews Issue: Feb. 1, 2020
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