Banks is one of America’s finest novelists, but this oddly distanced work lacks the passionate personal engagement of a...
A left-wing artist tangles with a troubled heiress in this characteristically somber, class-conscious novel from Banks (The Darling, 2004, etc.).
On the evening of July 4, 1936, at their luxurious summer camp in a privately owned Adirondacks wilderness reserve, Carter and Evelyn Cole get a visit from Jordan Groves, a Rockwell Kent–like creator of woodcuts, prints and etchings. Though Jordan’s a notorious Red who has little use for people like the Coles (he’s there to look at some paintings), it’s hard for this inveterate womanizer to resist the attentions of their beautiful daughter Vanessa, twice-divorced veteran of many scandalous love affairs. She is also, Banks reveals not long into the narrative (with a shockingly unexpected image of Evelyn Cole bound and gagged by her daughter), quite crazy. After Dr. Cole has a fatal heart attack the night of Jordan’s visit, Vanessa becomes convinced (not without reason) that her mother plans to have her committed once again to a discreet Swiss asylum. So Vanessa ties up Mom and implausibly manages to enlist the help of Hubert St. Germain, one of the many locals whose ill-paid seasonal work comes from serving the summer people. Hubert is also the lover of Jordan’s discontented wife Alicia, and learning of their affair drives the artist into Vanessa’s arms—though not before her mother has been disposed of in a shotgun accident. Dark hints that Dr. Cole sexually abused Vanessa have been freely scattered, but also cast into serious doubt. A catastrophic fire covers up the evidence of Evelyn’s demise, and Hubert gets off scot-free despite having confessed his involvement to the odious manager of the Reserve’s country club. Jordan and Vanessa meet their separate just deserts in ends that owe more to history (the Hindenburg crash, the Spanish Civil War) than the author’s imagination.
Banks is one of America’s finest novelists, but this oddly distanced work lacks the passionate personal engagement of a masterpiece like Continental Drift (1985) or the bracing historical revisionism of Cloudsplitter (1998).Pub Date: Feb. 1, 2008
ISBN: 978-0-06-143025-1
Page Count: 304
Publisher: Harper/HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2007
An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.
Manhattan in the late 1930s is the setting for this saga of a bright, attractive and ambitious young woman whose relationships with her insecure roommate and the privileged Adonis they meet in a jazz club are never the same after an auto accident.
Towles' buzzed-about first novel is an affectionate return to the post–Jazz Age years, and the literary style that grew out of it (though seasoned with expletives). Brooklyn girl Katey Kontent and her boardinghouse mate, Midwestern beauty Eve Ross, are expert flirts who become an instant, inseparable threesome with mysterious young banker Tinker Grey. With him, they hit all the hot nightspots and consume much alcohol. After a milk truck mauls his roadster with the women in it, permanently scarring Eve, the guilt-ridden Tinker devotes himself to her, though he and she both know he has stronger feelings for Katey. Strong-willed Katey works her way up the career ladder, from secretarial job on Wall Street to publisher’s assistant at Condé Nast, forging friendships with society types and not allowing social niceties to stand in her way. Eve and Tinker grow apart, and then Kate, belatedly seeing Tinker for what he is, sadly gives up on him. Named after George Washington's book of moral and social codes, this novel documents with breezy intelligence and impeccable reserve the machinations of wealth and power at an historical moment that in some ways seems not so different from the current one. Tinker, echoing Gatsby, is permanently adrift. The novel is a bit light on plot, relying perhaps too much on description. But the characters are beautifully drawn, the dialogue is sharp and Towles avoids the period nostalgia and sentimentality to which a lesser writer might succumb.
An elegant, pithy performance by a first-time novelist who couldn’t seem more familiar with his characters or territory.Pub Date: July 25, 2011
ISBN: 978-0-670-02269-4
Page Count: 352
Publisher: Viking
Review Posted Online: May 19, 2011
Kirkus Reviews Issue: June 1, 2011
BOOK REVIEW
BOOK REVIEW
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as...
An unlikely love story set amid the horrors of a Nazi death camp.
Based on real people and events, this debut novel follows Lale Sokolov, a young Slovakian Jew sent to Auschwitz in 1942. There, he assumes the heinous task of tattooing incoming Jewish prisoners with the dehumanizing numbers their SS captors use to identify them. When the Tätowierer, as he is called, meets fellow prisoner Gita Furman, 17, he is immediately smitten. Eventually, the attraction becomes mutual. Lale proves himself an operator, at once cagey and courageous: As the Tätowierer, he is granted special privileges and manages to smuggle food to starving prisoners. Through female prisoners who catalog the belongings confiscated from fellow inmates, Lale gains access to jewels, which he trades to a pair of local villagers for chocolate, medicine, and other items. Meanwhile, despite overwhelming odds, Lale and Gita are able to meet privately from time to time and become lovers. In 1944, just ahead of the arrival of Russian troops, Lale and Gita separately leave the concentration camp and experience harrowingly close calls. Suffice it to say they both survive. To her credit, the author doesn’t flinch from describing the depravity of the SS in Auschwitz and the unimaginable suffering of their victims—no gauzy evasions here, as in Boy in the Striped Pajamas. She also manages to raise, if not really explore, some trickier issues—the guilt of those Jews, like the tattooist, who survived by doing the Nazis’ bidding, in a sense betraying their fellow Jews; and the complicity of those non-Jews, like the Slovaks in Lale’s hometown, who failed to come to the aid of their beleaguered countrymen.
The writing is merely serviceable, and one can’t help but wish the author had found a way to present her material as nonfiction. Still, this is a powerful, gut-wrenching tale that is hard to shake off.Pub Date: Sept. 4, 2018
ISBN: 978-0-06-279715-5
Page Count: 272
Publisher: Harper/HarperCollins
Review Posted Online: July 16, 2018
Kirkus Reviews Issue: Aug. 1, 2018
BOOK REVIEW
BOOK REVIEW
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