by Russell W. Johnson ‧ RELEASE DATE: N/A
A brisk but thoughtful and timely legal thriller.
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In Johnson’s novel, a rookie lawyer balances her principles and personal ambitions with the realities of the justice system in a complex case involving immigration law and allegations of domestic abuse.
Ivy Collins is fresh out of law school and has only just begun practicing as an attorney. Although her father is a successful and well-connected lawyer with a “mega firm” in downtown Raleigh, North Carolina, Ivy is striking out on her own with Lester “the Truth” Williams. He runs a scrappy operation, based in a seedy part of town, that makes its money on plea deals, and he never takes cases to trial. When the public defender’s office farms out Sonia Cabrerra’s case to the firm, it seems like a done deal: A videotaped interview with Sonia’s son, Hugo, in which he shows his injuries and identifies his mother as his abuser is so damning that the state prosecutor initially refuses to offer any plea at all. A bit of digging soon reveals layers of complexity. Sonia, a Guatemalan immigrant and itinerant coffee plantation worker, is Indigenous, and her first language is not Spanish or English but the Mayan Mam language, which raises questions in the case about language comprehension and differing cultural norms. She’s also pregnant and in delicate health, which demands a speedy trial. If she pleads guilty, however—or pleads her innocence and loses at trial—she’ll lose custody of her baby. Despite her inexperience, Ivy is determined to do whatever it takes to discharge her duty, do right by her client, and satisfy her own professional ethics.
Johnson’s smart novel will engage readers with its command of the legal questions at hand and its grasp of contemporary issues. Any legal drama can outline the elements of a trial and describe their relative significance, but this novel does so with an unusual crispness. The novel particularly shines in its exploration of the legal and social components of 21st-century immigration. The threat of deportation hangs over the defendant and several other characters, and the narrative details both the complexity and frustration inherent in the U.S. legal system, even for documented immigrants. Sonia’s Indigenous identity also cuts through the misguided notion that migrants south of the U.S. border are an undifferentiated group of Spanish-speakers with uniform motivations and desires. Most importantly, the text is cleareyed and sympathetic about the precarity in which immigrants live, especially as the mere possibility of deportation can leave them vulnerable to many types of harm, including labor abuse and sexual assault. The narrative displays a keen awareness of how a judge’s or prosecutor’s “discretion” depends on personality, mood, and time of day as much as the facts of a case, and how this reality can have devastating effects on the lives of those who stand before the law. The text would have benefited from a stronger copy edit to address a number of distracting typos, but that doesn’t detract from this novel’s tight plot, sympathetic characters, and well-developed themes.
A brisk but thoughtful and timely legal thriller.Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: April 18, 2026
Review Program: Kirkus Indie
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by Freida McFadden ‧ RELEASE DATE: May 26, 2026
Trust no one in this over-the-top tale of deception and revenge.
Dead bodies turn up in the first sentence of the prologue in McFadden’s latest domestic thriller.
The mystery of who died is at the pulsating heart of this propulsive tale. As Chapter 1 begins, Naomi arrives home to find the locks changed on the front door of the gorgeous home she shares with her husband, Jeremy, and their 5-year-old son, Teddy. Jeremy steps out the front door and convinces Naomi to move out while he has their home renovated, a plan Naomi knows nothing about. It’s all a ruse, though, as the next day Jeremy tells her he wants a divorce. Naomi is shellshocked and soon discovers that Jeremy is having an affair with Veronica, a beautiful younger woman. What seems at first like a stereotypical story about a man who leaves his wife turns into something else when Naomi decides she’ll do anything to get Veronica away from Jeremy and Teddy, and Veronica decides to fight for what she thinks she deserves. Fans of stalker novels will cringe with delight as creepy things start to happen. Teddy’s stuffed elephant, a gift from Veronica, is found impaled on a kitchen knife; Naomi suspects Jeremy is gaslighting her and that Veronica tried to poison her. A weird confrontation among Jeremy, Veronica, and Naomi at Teddy’s birthday party, to which Naomi shows up uninvited, is priceless. There are three main characters, and any or all of them may be unreliable narrators. Packing the plot with dark, gasp-inducing twists, McFadden outdoes herself in a story about how highly emotional people engage in risky behavior to get what they want—but in this novel, for better or worse, not everyone will survive.
Trust no one in this over-the-top tale of deception and revenge.Pub Date: May 26, 2026
ISBN: 9781464249631
Page Count: 368
Publisher: Poisoned Pen
Review Posted Online: April 20, 2026
Kirkus Reviews Issue: May 15, 2026
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by Alex Michaelides ‧ RELEASE DATE: Feb. 5, 2019
Amateurish, with a twist savvy readers will see coming from a mile away.
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A woman accused of shooting her husband six times in the face refuses to speak.
"Alicia Berenson was thirty-three years old when she killed her husband. They had been married for seven years. They were both artists—Alicia was a painter, and Gabriel was a well-known fashion photographer." Michaelides' debut is narrated in the voice of psychotherapist Theo Faber, who applies for a job at the institution where Alicia is incarcerated because he's fascinated with her case and believes he will be able to get her to talk. The narration of the increasingly unrealistic events that follow is interwoven with excerpts from Alicia's diary. Ah, yes, the old interwoven diary trick. When you read Alicia's diary you'll conclude the woman could well have been a novelist instead of a painter because it contains page after page of detailed dialogue, scenes, and conversations quite unlike those in any journal you've ever seen. " 'What's the matter?' 'I can't talk about it on the phone, I need to see you.' 'It's just—I'm not sure I can make it up to Cambridge at the minute.' 'I'll come to you. This afternoon. Okay?' Something in Paul's voice made me agree without thinking about it. He sounded desperate. 'Okay. Are you sure you can't tell me about it now?' 'I'll see you later.' Paul hung up." Wouldn't all this appear in a diary as "Paul wouldn't tell me what was wrong"? An even more improbable entry is the one that pins the tail on the killer. While much of the book is clumsy, contrived, and silly, it is while reading passages of the diary that one may actually find oneself laughing out loud.
Amateurish, with a twist savvy readers will see coming from a mile away.Pub Date: Feb. 5, 2019
ISBN: 978-1-250-30169-7
Page Count: 304
Publisher: Celadon Books
Review Posted Online: Nov. 3, 2018
Kirkus Reviews Issue: Nov. 15, 2018
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