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ODYSSEY

From the Spiral Slayers series , Vol. 3

An uneven but wonder-filled middle chapter in a cosmic-epic series.

Following a fatal assault on their solar system by an advanced race, a human-alien alliance chases the marauders across the cosmos in a giant ship cloned from the attacker’s technology. 

Nobody can accuse Williamson (Countdown Armageddon, 2016, etc.) of thinking small midway through a four-part saga. In previous volumes (absolutely required to keep up), human natives of the planet Amular no sooner form a beneficial relationship with bloblike, advanced aliens they named the Loud when both species face extinction via mysterious, ancient hostiles that the Loud (who know more than they’re telling) call Spiral Slayers. Technologically superior beyond comprehension, the shadowy race sends giant “Blackships” to pilot and position black holes to destroy entire worlds and star systems. In the previous installment, humans and Loud barely survived the devastation of an attack on Amular by damaging a Blackship. Here, using debris from the (organic) doomsday device, they successfully clone their own huge “Whiteship,” which serves as a ship/colony as well as the ultimate weapon, to chase and confront the tool of the Spiral Slayers. But, across the vastness of space, it takes millennia, with humans necessarily in suspended animation at intervals. Williamson’s narrative leapfrogs through time, discarding the measured pace of earlier books for one in which centuries pass in a sentence, and a paragraph summarizes sensational superscience that might have engaged another writer for a full novel. In a near Hitchhiker’s Guide to the Galaxy development, bees in the Whiteship’s vast indoor park evolve en route into a new sentient species whose intellect and engineering overtakes Homo sapiens; they’re a deux ex machina (buzz ex machina?) in a hornet’s nest of revelations at the end. There is technology sufficiently advanced that it appears godlike and sci-fi storytelling magnified to the dimensions of myth—the title may signify that Williamson is mining the Homeric rather than the Arthur C. Clark–ian—with only broad strokes for characterizations and some of the archetypal underpinnings starting to show (the human hero is named Adamarus, the heroine Evelyn, hmm...). A peep inside a Blackship dispels some awe—imagine The Dark Crystal, only ickier. But a breathless to-be-continued finale should have readers hooked despite the inconsistencies.   

An uneven but wonder-filled middle chapter in a cosmic-epic series.

Pub Date: N/A

ISBN: 978-1-79269-588-9

Page Count: 314

Publisher: Time Tunnel Media

Review Posted Online: March 23, 2019

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BETWEEN SISTERS

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles...

Sisters in and out of love.

Meghann Dontess is a high-powered matrimonial lawyer in Seattle who prefers sex with strangers to emotional intimacy: a strategy bound to backfire sooner or later, warns her tough-talking shrink. It’s advice Meghann decides to ignore, along with the memories of her difficult childhood, neglectful mother, and younger sister. Though she managed to reunite Claire with Sam Cavenaugh (her father but not Meghann’s) when her mother abandoned both girls long ago, Meghann still feels guilty that her sister’s life doesn’t measure up, at least on her terms. Never married, Claire ekes out a living running a country campground with her dad and is raising her six-year-old daughter on her own. When she falls in love for the first time with an up-and-coming country musician, Meghann is appalled: Bobby Austin is a three-time loser at marriage—how on earth can Claire be so blind? Bobby’s blunt explanation doesn’t exactly satisfy the concerned big sister, who busies herself planning Claire’s dream wedding anyway. And, to relieve the stress, she beds various guys she picks up in bars, including Dr. Joe Wyatt, a neurosurgeon turned homeless drifter after the demise of his beloved wife Diane (whom he euthanized). When Claire’s awful headache turns out to be a kind of brain tumor known among neurologists as a “terminator,” Joe rallies. Turns out that Claire had befriended his wife on her deathbed, and now in turn he must try to save her. Is it too late? Will Meghann find true love at last?

Briskly written soap with down-to-earth types, mostly without the lachrymose contrivances of Hannah’s previous titles (Distant Shores, 2002, etc.). Kudos for skipping the snifflefest this time around.

Pub Date: May 1, 2003

ISBN: 0-345-45073-6

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: April 1, 2003

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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