by Rusty Williamson ‧ RELEASE DATE: N/A
An uneven but wonder-filled middle chapter in a cosmic-epic series.
Following a fatal assault on their solar system by an advanced race, a human-alien alliance chases the marauders across the cosmos in a giant ship cloned from the attacker’s technology.
Nobody can accuse Williamson (Countdown Armageddon, 2016, etc.) of thinking small midway through a four-part saga. In previous volumes (absolutely required to keep up), human natives of the planet Amular no sooner form a beneficial relationship with bloblike, advanced aliens they named the Loud when both species face extinction via mysterious, ancient hostiles that the Loud (who know more than they’re telling) call Spiral Slayers. Technologically superior beyond comprehension, the shadowy race sends giant “Blackships” to pilot and position black holes to destroy entire worlds and star systems. In the previous installment, humans and Loud barely survived the devastation of an attack on Amular by damaging a Blackship. Here, using debris from the (organic) doomsday device, they successfully clone their own huge “Whiteship,” which serves as a ship/colony as well as the ultimate weapon, to chase and confront the tool of the Spiral Slayers. But, across the vastness of space, it takes millennia, with humans necessarily in suspended animation at intervals. Williamson’s narrative leapfrogs through time, discarding the measured pace of earlier books for one in which centuries pass in a sentence, and a paragraph summarizes sensational superscience that might have engaged another writer for a full novel. In a near Hitchhiker’s Guide to the Galaxy development, bees in the Whiteship’s vast indoor park evolve en route into a new sentient species whose intellect and engineering overtakes Homo sapiens; they’re a deux ex machina (buzz ex machina?) in a hornet’s nest of revelations at the end. There is technology sufficiently advanced that it appears godlike and sci-fi storytelling magnified to the dimensions of myth—the title may signify that Williamson is mining the Homeric rather than the Arthur C. Clark–ian—with only broad strokes for characterizations and some of the archetypal underpinnings starting to show (the human hero is named Adamarus, the heroine Evelyn, hmm...). A peep inside a Blackship dispels some awe—imagine The Dark Crystal, only ickier. But a breathless to-be-continued finale should have readers hooked despite the inconsistencies.
An uneven but wonder-filled middle chapter in a cosmic-epic series.Pub Date: N/A
ISBN: 978-1-79269-588-9
Page Count: 314
Publisher: Time Tunnel Media
Review Posted Online: March 23, 2019
Review Program: Kirkus Indie
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by Harper Lee ‧ RELEASE DATE: July 11, 1960
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
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by Harper Lee ; edited by Casey Cep
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by Harper Lee
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SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
by Kristin Hannah ‧ RELEASE DATE: July 1, 2002
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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