by Ruth Downie ‧ RELEASE DATE: July 1, 2009
Enormous fun: another lively winner from a newly established mistress of the genre.
A third deftly plotted puzzler starring Roman battlefield physician Gaius Petreius Ruso and his former house servant—and present lover—Tilla (Terra Incognita, 2008, etc.).
The body count is small, but the intrigue is thick and suitably baffling as the action moves from Roman-occupied Britain to the home front in Gaul, to which Ruso is unexpectedly summoned by his endlessly demanding family. A letter supposedly sent by his curmudgeonly brother Lucius informs the medicus, who’s recuperating from an accidental injury, that his relatives are suspects in the presumed murder of Severus, the greedy creditor who was threatening to bust their assets. Astutely misdirecting us, Downie opens with a scene set aboard a burning merchant ship, on which Ruso’s brother-in-law Justinus is held captive. Then the scene shifts to Ruso’s homecoming, accompanied by Tilla, and the resumption of frayed relations with his snotty stepmother Arria, various half-sisters and other family and their ubiquitous naked toddlers, a wily senator (Fuscus) intent on turning the Rusos’ new ill-fame to his advantage, a lovesick gladiator (Tertius) and Gaius’ combative ex Claudia, more recently Severus’ spouse and possibly “the bitch” identified as his poisoner by the deceased’s final words. Nobody seems upset that Severus has been iced, but crisscrossing investigations produce ever more embarrassing disclosures as the mayhem evolves into something very like an extended episode of Everybody Loves Raymond with togas and guest appearances by the Marx brothers. Ruso’s sullen wit is dependably delightful (“the beheading of unruly relatives seemed a little harsh, but obviously one would exercise discretion”). And when the unquenchably curious Tilla encounters acolytes of the odd new faith called Christianity, we know Downie is sharpening her knives for Ruso’s next surgically precise adventure.
Enormous fun: another lively winner from a newly established mistress of the genre.Pub Date: July 1, 2009
ISBN: 978-1-59691-609-8
Page Count: 336
Publisher: Bloomsbury
Review Posted Online: June 24, 2010
Kirkus Reviews Issue: July 15, 2009
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Paulo Coelho & translated by Margaret Jull Costa ‧ RELEASE DATE: July 1, 1993
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.
Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind.
The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility.
Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.Pub Date: July 1, 1993
ISBN: 0-06-250217-4
Page Count: 192
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 1993
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