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A GARDEN OF MARVELS

THE DISCOVERY THAT FLOWERS HAVE SEX, LEAVES EAT AIR, AND OTHER SECRETS OF PLANTS

A delightful book, fun to read and share—green thumb not required.

From award-winning history and science writer Kassinger (Paradise Under Glass: An Amateur Creates a Conservatory Garden, 2010, etc.), an informal, entertaining account of how early researchers discovered how plants work and what scientists are still learning about plants today.

The author combines her lively botanical history with personal anecdotes about her own plant adventures and misadventures, and she also chronicles her visits to universities and nurseries, where accommodating, knowledgeable people shared their expertise with her. It is clear that Kassinger has done considerable research as well, for her account is rich with portraits of men from the 17th century struggling to understand the anatomy and physiology of plants. She writes of the techniques they used, the observations they made, what they misunderstood and what they got right. Other chapters reveal what is known now about the functions of leaves, stems, roots and flowers. She even explores the world of competitive giant pumpkin growing. Along with some tips on how to grow a one-ton pumpkin, Kassinger takes readers to an annual fall festival in Maine, where pumpkin lovers turn them into competitive racing boats. The author also introduces readers to green slugs that can photosynthesize; a “cocktail” citrus tree that bears limes, lemons and oranges; and a fern that can remove arsenic from polluted soil. Kassinger briefly considers the promise of the perennial grass miscanthus as a biofuel and the possible benefits of genetic engineering of food plants. A bonus of the book are the simple line drawings by Eva-Maria Ruhl, which illustrate Kassinger’s lucid prose, making some botanical details even clearer. Especially charming is her drawing of a borametz, a plant that even educated Europeans in the early 17th century believed grew a tiny, living baby sheep on its stalk.

A delightful book, fun to read and share—green thumb not required.

Pub Date: March 1, 2014

ISBN: 978-0-06-204899-8

Page Count: 416

Publisher: Morrow/HarperCollins

Review Posted Online: Jan. 3, 2014

Kirkus Reviews Issue: Jan. 15, 2014

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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